VOEZ Switch NSP Free Download

VOEZ Switch NSP Free Download Unfitgirl

VOEZ Switch NSP Free Download Unfitgirl Tucked away in the Nintendo Switch eShop, underneath the games that everyone is talking about such as Snipperclips, 1-2-Switch and The Legend of Zelda: Breath of the Wild (obviously), is VOEZ, a rhythm game originally released on iOS and Android devices last summer. Made by independent Taiwanese developer Rayark Games, the title has had a significant change in structure for its first console release. At its core, VOEZ is just like any other rhythm game; a horizontal line appears at the bottom of the screen with notes matching the music’s melodies falling down from the top. As these notes hit the horizontal line, your job is to tap them in time with both the visual and audible cue with the aim of completing the song. Notes can vary in style; some notes require only a single tap as it crosses the line, some need to be held for a set duration determined by a start and release point, and others need to be swiped across the screen, for example. Interestingly, with the game being controlled entirely by the touchscreen, this is the first game for Nintendo Switch which can only be played in handheld mode. The thing that instantly sets VOEZ apart from its countless rhythm game rivals is that it is aesthetically stunning. Before you even jump into a song this is abundantly clear – the menus look great with a very sleek design and each song has a gorgeous piece of artwork complementing it on the song selection screen. Unfitgirl.COM SEXY GAMES

During gameplay the notes travel down different lanes which can land at various points across your line, but rather than them being static lanes such as what is required for games such as Guitar Hero, these lanes dance with the music, moving all over the screen in time with beats that don’t contain any notes for you to hit. In a way this can be quite distracting, especially as the lanes can sometimes switch sides even when a note is travelling down it, causing you to quickly reassess where you need to press at the last minute. This is a welcome challenge however, not an annoyance. Accompanying a difficulty system of “Easy”, “Hard” and “Special” (which includes things such as complex drum fills and both hands having to play independently) for your song choices, it helps to create a game which has a nicely balanced learning curve; starting off simple and increasing the pressure at a pleasing rate. Upon completion of a song you will be rewarded with a grade – A, B, C etc – and can also try to obtain a “Full Combo” (meaning you hit every single note), or an “All Perfect” (meaning you hit every note at exactly the right time). These can be tough to acquire and you feel a great sense of satisfaction when you finally manage it on a tough song. The main menu displays how many each of these you have achieved overall so the drive to increase those numbers is always there.

A classical musical development

Also displayed on the menu is the number of charts you have played. Overall there are 348 charts in the game – this includes each variant of a song such as their difficulty – but even so results in a very impressive total of over 100 completely different songs to play through. The soundtrack mostly consists of J-pop, K-pop and Vocaloid style music, faster electronic music with some examples of dubstep and a few songs containing a more Western influence. The quality of these songs varies with some beautiful examples, ones that get stuck in your head for days and others that leave a lot to be desired – although of course musical preference will vary for everyone based on their tastes. The game’s first and main song, ‘Colorful Voice’, seems to be constantly stuck in this writer’s head for example, with ‘Wilt’ being a close second on the favourites list. The soundtrack’s implementation is where the Nintendo Switch version of the game differs from its mobile counterparts. In the mobile versions, whilst free to initially download, songs can be unlocked through collecting keys – which very occasionally appear during gameplay but mostly have to purchased. Watching adverts can also let you play some songs with others being available for free for a limited time. On Nintendo Switch you buy the full game from the Nintendo eShop and with that comes absolutely everything. Green Hell VR

After playing the first song the entire game unlocks and you are free to choose from any of those 348 aforementioned charts – there are no micro-transactions to be seen. Compared to the price of keys in the mobile version, buying the full game in this way is a hugely cost effective way to get all the songs.The game does also have a story attached to it through the use of a diary. Each diary entry has a requirement for you to unlock (‘complete two songs on hard difficulty’, for example) which when completed fills in another piece of the story. You follow the story of Chelsea and her high school classmates as they embark on a journey to start a band together. Whilst this is a nice addition and once again contains some beautiful artwork, it is very easy to forget about and oddly doesn’t seem like as much of a focus as it could have been. The story is never forced upon you; rather it is kept hidden away in the diary section of the main menu for you to discover on your own. Before release there was some minor conspiracy as to why Nintendo wasn’t talking about the Switch’s touchscreen. Unlike the DS and 3DS it’s a modern multi-touch display that you can use with your fingers – rather than something that needs a stylus and where you can only touch one spot on the screen at once. We mention this because you’d never know that from playing Zelda, 1-2-Switch, or any of the other main launch games.

More than 100 songs

And for the obvious reason that if the Switch is in its dock, attached to your TV, you can’t use the touchscreen. But VOEZ doesn’t care. Although we fully expected Nintendo to refuse to let developers create touchscreen-only games, or even games with optional touch controls, that’s clearly not the case. VOEZ can only be played when in handheld mode, and since it’s a launch game that seems to signal that there are no restrictions. (Although maybe there are for retail games – assuming you know what Nintendo are thinking is never a wise idea.) VOEZ is a rhythm action game and was originally released on iOS and Android last summer. The songs are mostly pop tunes (including vocaloid tracks), electronica, and trance. And since original developer Rayark Games is South Korean they’re all sourced from notable East Asian artists. Viewed in its entirety the game almost sounds like the lost soundtrack to some sweeping Persona style Japanese role-playing game, except without the role-playing. It might not be a role-playing game but VOEZ does have a storyline: one that’s meant to be uncovered by playing through all the different tracks. It’s not exactly plot heavy though, as it revolves around a group of wannabe musicians as they struggle with such pressing problems as what to do for the upcoming talent show and exactly how long they can hang around doing nothing on the beach. Grim Nights 2 

As you might gather incisive social commentary and detailed character studies are not part of VOEZ’s remit, but the artwork that’s unlocked at the same time as the story is gorgeous. The gameplay is a little more nuanced than the storytelling, even if at first sight it seems to follow the template laid down by Harmonix all those years ago. It’s really not very different from Guitar Hero, except your fingers are playing across the touchscreen, instead of a plastic guitar, as different icons travel down a number of vertical columns. You have to tap each icon as it reaches the bottom of the screen, but how exactly depends on what kind it is. Some icons require you to hold or slide your finger, and others have you swiping left and right. The latter are interesting because they move the columns they’re in as you touch them, creating a confusion of movement that you can never quite bring yourself to complain about given the explosion of colour it also produces. The way the songs are orchestrated visually and through gameplay is top notch, and we’re not surprised at all that the game was a big hit on mobile. There are really only two key factors determining whether you might want to buy VOEZ: whether you like the music, and the general style of presentation, and whether it’s worth the money. The two are obviously connected, but a perusal of Rayark’s YouTube channel should make it fairly clear what you’re getting yourself in for.

The last Dance

In terms of cost, the game’s obviously fairly expensive – despite the original version being free-to-play. But as you could probably guess the mobile version supports microtransactions, so you can pay to unlock individual songs. Or otherwise you just have to stick with the free ones and try to earn in-game currency. With the Switch version you get every song unlocked from the very beginning, which many would consider fairer. Although it does obviously mean a significant initial outlay. But if you’re watching these videos and thinking that VOEZ looks like your sort of thing then you’re almost certainly not going to be disappointed. It’s a content rich, charmingly presented, rhythm action game, with just enough of a twist on the usual formula to keep it interesting. And even if you don’t like the music then at the very least it’s a useful proof that the Switch’s touchscreen is not going to go to waste. The three difficulty settings (easy, hard, special) have something for everyone. It goes from slow (but not necessarily) remedial, to “you basically have to memorize the song.” For several special level tracks I had to put down the Switch and play it like a piano! But the thing I love most about Voez though is how there are no strings attached. It has 116 songs from the get-go, with all three difficulties available. There’s no “play all of them on easy while you’re falling asleep” nonsense, I can just jump right into my skill level. GTA V PS5

The Switch version also eliminates the always-online element from the mobile edition, as well as any form of microtransactions. With free DLC on the way, according to the developer, it only further sweetens the idea of buying it at a premium. So how’s the music? Like any rhythm game with a truckload of songs it has its highs and lows, but as a whole I really dug the compositions. They range from sweet saccharine J or K-pop to whimsical piano-only songs, to hardcore industrial electronica. I think the latter genre is what it does best, but there are a few crazy piano-based tracks that really get me going and make me want to master them on special mode. Voez is a diamond in the rough, at least as far as the Nintendo Switch eShop is concerned. The system’s launch went from zero (or just Zelda) to hero in seconds flat, and as long as you’re okay with a lack of a TV mode, Voez is a worthy pickup. The game has a tracklist of over a hundred songs ranging from Pop to Trance, and while the rhythms and note placement change they’re all presented the same way. The vertical bars pass back and forth across the display, stretching, contracting and reacting to movements and swipes in time with the music – kind of like an interactive visualizer – and while it doesn’t sound like much it’s utterly charming watching these lines dance around the screen; you can’t help but get sucked into the rhythm.

If you just want to chill and play with the music, then playing through this on Easy mode is the way to go. If you want a challenge, however, you also have Hard and Special modes for each song. Hard mode ramps up the quantity of notes to a considerable degree giving you a challenge to really get your teeth into. Special modes takes this one step further, changing the note types and placements and moving them around the screen much more, meaning your eyes and fingers need to do a lot more work to keep up. Additionally, you also have the option to change the speed the note icons fall at from a serene one to a nightmare factor of ten. At least if you find Easy to be too gentle and Hard to be too much you can adjust the challenge to your liking, I don’t know why anyone would want to take on speed ten as it requires a certain degree of foresight to be able to stand a chance of registering the input, but it’s optional and it’s there, which I guess is better than not having it at all. Other than this, all the game has to offer is a set of diary entries that unlock as you complete tracks; this tells the story of a group of kids in a band as a justification for playing a music game. There’s no branching narrative, no choices to be made, just sections of text to read; once again, it’s entirely optional and can be a welcome distraction from the tip tapping on the screen.

Add-ons (DLC):VOEZ Switch NSP