KURSK Switch NSP Free Download

KURSK Switch NSP Free Download Unfitgirl

KURSK Switch NSP Free Download Unfitgirl KURSK. A name that evokes memories of one of the biggest battles in the Second World War. But also a name that signifies the greatest peacetime tragedy of a military power after the end of the Cold War. For those of you who were very young and do not remember, it is about the sinking of the Russian nuclear submarine KURSK exactly 18 years ago.This game calls itself the first ever documentary game inspired by real events. The truth is a little different though. The initial premise of the game is based on a real event, but everything else is absolute fiction. We begin the adventure as an American agent trying to infiltrate the crew of the Kursk, in order to somehow steal God knows what secret papers and smuggle them to Uncle Sam in Washington. At that moment, I already said goodbye to the submarine experience, because I thought that this was going to turn into some sneaky thing that was going to end with the sailing and the sad end of the adventure, but no. Much to my surprise, the player as a secret agent manages to infiltrate the crew quite easily and begins his mission. Let’s be clear, in those two thousand years, Russia was both militarily and economically behind in comparison to its Western allies, but one thing has never ceased to exist and has never been in a bind. It’s the KGB. And if something was almost impossible, it was getting a foreign agent into the biggest and most modern submarine of the time. Unfitgirl.COM SEXY GAMES

But hey, at least they didn’t screw up the Russian president like the movie that came out alongside the game did. No, Mr. Filmmakers, Yeltsin was no longer the President of Russia at that time. And so, despite all possible obstacles, our agent breaks into the submarine (literally) and there begins the fight for the secrets of the Pope…sorry, for bare life, because immediately after the dive, a series of explosions occur that send the Kursk to the bottom of the Barents Sea. The ending made sure that this was just a declarative “documentary” until the end. The ending, where Mr. Western Spy manages to escape from the sunken submarine, and despite the rescue operation that was well underway and the huge number of flotillas on the surface, he is not captured, which is an insulting and understating portrayal to say the least. But enough about the story, which is too short. The whole adventure can be plowed through in about 5 to 7 hours. And at the same time, everything isSo slow, that I wanted to give up when I had to walk from the torpedo room to the tail of the submarine. It is clear why all the doors in the submarine are always closed. It’s part of the protocol. But the opening animation, which is preceded by the painful stabbing of the angle at which you will receive an active command to open them, is painful to say the least.

ELECTRONIC SEA SICKNESS

This may be due to the game being compatible with VR devices, but again, that’s no excuse for this sluggishness. The next thing that greatly stifles the general atmosphere is deadness. The crew of the Kursk numbered 118 people. Playing this you will get the impression that there were no more than 18 of them. There is no spontaneous interaction, no reaction of any kind, sounds or anything. If we had the atmosphere of the mini camps here that we have in STALKER, the atmosphere would probably be on a much higher level. Finally, the most exciting moment happens near the end of the game. The moment when the submarine begins to sink, instead of beingkickstarter story, it turns into a blur and general nonsense on which there is no point in wasting words. The nameless scout must gain the trust of the crew members and collect information about the Flurry torpedoes ( Edmond Pope allegedly wanted to find out earlier ). I will say right away that there is no need to arrange any sabotage, just carefully photograph various parts of the submarine and extract secret files from computers using an outlandish multifunctional PDA. Perhaps an appropriate genre for Kurskthere would be a developed “social stealth” or RPG, where it would be necessary to establish complex relationships with others, stealthily fish out valuable information. Under One Wing 

Unfortunately, the Poles did not come out with an adventure either. Rather, a simulator of a pedestrian (or a postman) in an extremely confined space. The whole game consists of a series of linear tasks such as “go fetch”. The captain orders to check the torpedo compartment, the hero finds a malfunction there, asks how to fix it, replaces the damaged part with a new one and reports on the completion. And this description is far from the most tedious thing. Another time, we will be asked to get a flask from the cook for a gift, which, out of harm, will refuse. Then we will go to the second cook, and in exchange for her, he will offer to beat his record in the slot machine, which will take … less than a minute. A record is a record! Without a map, the dreary wandering from point A to point B turns into wandering through a maze. Yes, the submarine is small, but the abundance of identical valves, pipes and corridors make free navigation through it painful, and behind the next door there can be either a closet or a passage to a new compartment. Rescues only beacon-indicator, To dilute the four-hour tedium is beyond the power of either secondary tasks or mini-games. The first ones are just as boring as the main ones (steal a pack of tea, find parts of the blueprints), while the second ones are limited to banal and elementary hacking of locks and computers and are complicated by the fact that at any moment we can be caught doing illegal activities and declare “gaming over”.

A COINCIDENCE? I DO NOT THINK SO

The scout, who is already ready to track the routes of patrolmen, will not see any patrolmen: all NPCs are chained to their places and catch the intruder only when, according to the script, he sorts out the master keys for too long. In the absence of a plot and intrigue, interesting characters and their relationships could at least slightly improve the impression. However, even after the explosions in the torpedo room and the fire, they behave amazingly indifferent and unemotional. It is completely incomprehensible why, having decided to depict the last hours of the life of sailors, the scriptwriters did not show an atmosphere of horror, brotherhood and elusive hope and did not allow them to share their feelings and innermost experiences. We learn only the names of submariners, their ranks/positions and sometimes hobbies (someone draws, someone loves poetry), but they do not talk to each other, and the mean dialogues are badly written in both Russian and English and cannot stand comparison , for example, with Silent Hunter 5(and there the chatter had no semantic load at all). “I’m not allowed to let anyone in here, but come on, do me a favor. Yes, and they pay me a little, ”the programmer convincingly argues his decision to leave us alone with a secret database. There are two abstract topics for conversation: politics and service in the navy. Unknightly

Films (“Brother 2” recently released), music (“No one writes to the Colonel” from the soundtrack to it), television or the upcoming Sydney Olympics do not exist for the characters. To Kurskreigns its own alternative year 2000, where the hotel rooms are decorated with gold, and from the speakers of every radio set plays a song by Pulp, written five years earlier. The submarine itself looks no less fake. Despite the fact that the interiors are reproduced with amazing care and amazingly executed for the genre, they are more like sterile hospital wards. The same issues of Technology and Sport magazines, the same photographs and anonymous letters from lovers, the same postcards and children’s drawings are randomly scattered around the cabins, whose angular inhabitants are terribly animated and click their jaws as soon as they open their mouths. The most striking thing is the lack of interactivity: we are only allowed to pick up and touch those items that are highlighted by the E key and which are at best five in each location. Was it worth fencing a gluttonous 3D garden, dreaming of the GTX 1080, for the sake of plasticine scenery Iremember with some clarity the sinking of the Kursk submarine , which took place in August 2000. Vladimir Putin had recently succeeded Boris Yeltsin in the role of president of the Russian Federation and, only ten years earlier, the Soviet Union dissolved like snow in the sun, taking with it all the ghosts of the Cold War.

THE HISTORICAL RECONSTRUCTION

From the “enemy” that it was, Russia quickly became part of that “Western world” which it had always previously opposed and, following the disastrous end of the exercises in the Barents Sea, several European countries offered their willingness to participate in the rescue. Unfortunately, for the more than 100 crew members there was nothing to do:most of them perished in the explosion that tore open the bow of the submarine, while the 23 men who found shelter in the ninth compartment drowned – according to the official investigation – only eight hours later. Again according to the same reports, the sinking of the Kursk was caused by a technical problem with the torpedoes fired during the exercise but, like any great human tragedy, this too aroused suspicion and conspiracy theories. In particular, there was a lot of talk about the role of the United States in the accident, the presence of two spy submarines and the possibility that it was one of these that hit the Russian craft, if not even voluntarily opened fire after being discovered. . Kursk , a first-person adventure from the Polish software house Jujubee Studios, caresses the “alternative” theories on the nature of the accident in a rather marked way , putting us right on board the Russian submarine on the day of the unfortunate exercise in the Barents Sea. In the role of an American spy, we must infiltrate the crew and use our handheld with “high definition” camera to collect data and documentary evidence on the weapons on board Unplugged VR

In particular the super cavitating (and super secret) Shkval torpedoes, that at least in theory they shouldn’t have been there. If Jujubee’s “mission” consists in the use of video games as a new medium to convey the story, at least according to the bombastic statements of its CEO Michal Stepien, it is a bit of a species to find oneself involved in a fantasy spy story inspired by a tragedy of this flow , where the memory of the victims is still alive. It is a bit as if someone decided to write a video game setting it in the fire of the Moby Prince or even in the collapse of the Twin Towers, and introduced some elements of fantasy by mixing them with the real chronicles.There would be nothing wrong with doing it (films and novels draw heavily from the news and no one is scandalized), but a strongly immersive medium like a video game risks conveying wrong messages, adding noise and giving breath to conspiracy more than it has known. do Dan Brown with his ecclesiastical novels. Net of the spy story, however, Kursk offers a glimpse of the era bringing us back to post-communist Russia just inherited from Putin , among the lucky few who debated whether 32 or 64 megabytes (!) Of RAM were enough or better to play, and many ordinary citizens further impoverished and disappointed by the harshness of capitalism, who placed in the exercises in Barents the hope of a new “Soviet” dominion over the seas of the world.

The most fascinating aspect of Kursk it should be the reconstruction of the submarine, with its corridors full of pipes, instruments and panels, with the specialized rooms and the crew rooms. But it is too “realistic”, to the point that to me, suffering from motion sickness since Descent and condemned to selectively face 3D video games, it caused very strong feelings of nausea, headache, retching, which made me forced to face it in small doses, with often interruptions. The syndrome itself originates in the discrepancy between the movement that the eyes are observing and the actual displacement of the body, which obviously is not there. However, different factors determine its onset with specific video games. In this case, two things offend my delicate nervous system:the decision to obsessively and arbitrarily animate every single movement of the protagonist , who – for example – turns in four different directions every time he opens a bulkhead to move from one compartment of the submarine to another, and the sense of immense claustrophobia that one feels wandering through the corridors.During the immersion phases the surrounding landscape fluctuates and sways like on a real ship, and vomits (unfortunately, not virtually) which is a “pleasure”. If you only suffer from a little “Doom Sore” or even seasickness in reality, know that facing Kursk could be prohibitive for you.

Add-ons (DLC):KURSK Switch NSP