Saints Row IV Free Download

Saints Row IV Free Download Unfitgirl

Saints Row IV Free Download Unfitgirl Few games do ‘fun’ with as much enthusiasm and self-awareness as Saints Row. While GTA tempers its acerbic tone and pop culture devotion with a firm set of in-game rules, Volition’s open-world series has always aired towards the silly and the slapstick. Want to throw yourself into oncoming traffic and ragdoll your way to insurance riches? It’s got you covered. Want to fight off zombie hordes? Star in your own sci-fi B-movie? Have tank battles while in freefall? Check, check and check. And from its earliest moments, right through to the roll of its credits, Saints Row IV: Re-Elected never lets that grin slip from its face. One moment you’re climbing a nuclear weapon while Aerosmith’s ‘I Don’t Wanna Close My Eyes’ croons in the background. The next, you’re piloting a spaceship through an alien mothership – naked, naturally – while Haddaway’s ‘What Is Love’ blares like the ’90s banger it truly is. And that’s just within the first hour. Just hearing Nolan North – one of many voices you can choose for your charismatic avatar – spewing out secondary school-level one liners and swearing like a trooper is far more hilarious than it has any right to be. Unfitgirl.COM SEXY GAMES

For Saints Row IV – and its newly released Re-Elected port for Nintendo Switch – that sense of power fantasy has been taken to the next level. From a technical perspective, this is largely the same as game as the third instalment in the series – you’re once again battling for control of the city of Steelport, with the same onus of wrestling control of districts back from an enemy faction while shooting everything that even remotely dares to move – but now with a set of superpowers that completely change how you play. One moment you’re jumping into a car to traverse the city in classic open-world urban style, then you unlock a super jump that lets you leap over buildings and scale skyscrapers. Then you gain access to a super sprint that outstrips most vehicles. And that’s just the first bite of this metahuman-themed cake. After a while, Saints Row IV stops feeling like a ‘GTA clone’ (a term that hasn’t applied to this series for years) and starts playing more like Xbox-exclusive Crackdown. Even before you unlock some of the elaborate powers Saints Row IV has to offer, your relationship with the city around you completely changes. You’ll use the highest buildings to glide from one neighbourhood to another, slamming down to Earth only when you need to deal out justice to the alien empire that’s decided to ruin your newly elected status as President of the United States by invading and enslaving the planet.

Custom Weapons, Custom Mayhem

Yes, all those powers are in fact your way of hacking the simulation you and the rest of humanity find yourselves suspended within. Can you guess the film reference, there? Because it’s very subtle. When you’re not ‘getting your Neo on’ in the simulation you’ll return to the ‘real world’ aboard a ship that’s in no way a pastiche of the Normandy from Mass Effect. The fact you can rescue characters and build a crew – who you can also ‘romance’ at will – is purely coincidental. Look, Saints Row IV is having so much fun – as you will, too – that its satirical nature never feels mean spirited. Although, while self aware, it’s devil may care attitude to being PC means some players might find its sense of humour a little puerile. As a port, Saints Row IV is a solid one, offering a far smoother transition than the one afforded to the third entry in the series. There’s the occasional bit of pop-in and you can see where some textures and details have been downgraded to free up memory and processing power, but on the whole this is a game that manages to retain most of the semi-cartoonish looks found in other console versions (being set mostly at night probably doesn’t hurt, either). Even in handheld mode, we encountered very few instances of slowdown or technical hiccups. In fact, we experienced more crashes and problems playing the game on Xbox One than this solid Switch port. Elex II PS5

Of course, some things port over better than others. The smaller analog sticks of the Joy-Cons have never been a particularly good fit for shooters and you’ll need to dial up the sensitivity quite a bit to help negate this issue. You’re also noticeably underpowered when it comes to combat in the first few hours, which, when combined with the unwieldy aiming controls, can make gunfights a lot less enjoyable until you start unlocking better weapon upgrades. Thankfully, the onus on greater movement agency helps temper this issue. Simply climbing huge alien towers with your super jump, or racing through the streets in super-powered races, becomes the game’s most enjoyable elements. Players who have played the first game shouldn’t expect anything new in terms of content – although new players will be pleased to know the Re-Elected package includes all post-launch DLC. The only real ‘new’ addition is support for motion controls, which are decent and do help with the accuracy issues of gunfights if gyro controls are more up your alley. Support for co-op is also included, should you want to team up with a friend and unleash super chaos in Steelport. However, even as a purely solo experience, Saints Row IV ends up being one of Switch’s mostly action-packed open-worlders.While Saints Row the Third proved a more inconsistent port – mainly because it was a much older game – Saints Row IV: Re-Elected fares far better with better performance, minimal input lag and a refreshingly solid output in handheld mode. Its gunplay is always going to be messy and its unashamed sense of humour will undoubtedly offend some, but having such an activity rich experience running so well on your handheld console isn’t to be sniffed at.

Alien Toys of Destruction

And with so much extra content available in the Re-Elected package, Switch players have another long-term investment on their hands. Saints Row IV has the same problem as Superman. All things considered that’s a fairly good problem to have, because it stems from awesome powers like being faster than a speeding bullet and able to leap over tall buildings in a single bound. But the thing many comic book fans find a little boring about the Man of Steel is that if you’re basically a god, nothing can challenge you – and what’s a hero without a challenge to overcome? That same boredom eventually proves to be Saints Row IV’s kryptonite. Developer Volition has made us living gods in an open-world city, and it’s great for a while, but it renders much of what makes Saints Row The Third so much fun feeling pointless. ELEX II

In the beginning SR4 is very much the same parody-packed third-person action game. In the first hour our hilariously customizable Saints boss character pushes the increasingly over-the-top premise of an idolized street gang well past its limits in a quick series of linear levels: you single-handedly bring down a nuclear missile, become President of the United States, and battle an alien invasion led by a British-for-no-reason warlord. It’s so absurd and liberally peppered with well-executed gags and references that it works. After that you’re trapped in a Matrix-like recreation of the open-world city of Steelport, and Saints Row IV effectively becomes an entirely different game through the introduction of those genuinely cool superpowers. Super-leaping and gliding over the city (an alien-renovated version of the one used in SR3) is hugely liberating – there’s nowhere you can’t go on a whim, and dashing through the streets at amazing speeds feels like a glimpse of the Flash game I’ve always wanted. And those are just the first couple of powers you get. That’s combined with a sense of near-invulnerability. Unlike the regenerating health system of SR3, in SR4’s virtual world enemies drop health pickups like candy from pinatas, so as long as you buy a few health upgrades and keep up a respectable pace of killing (hard not to do given the arsenal of infinite-ammo alien weapons) dying is something you usually have to work for. Even enemies with superpowers of their own quickly become pushovers, and all you ever have to do to get out of trouble is leap. It’s only during minibosses fights where health is scarce that I was given cause to play carefully.

Super Hero-in-Chief

Even though I rarely needed weapons, SR4’s gun selection has some winners. Beyond the pew-pew-pew of the alien pistol, the Disintegrator (borrowed from Red Faction) and the Abductor (which sucks everything into the sky) steal the show… even if the promising Dubstep gun ends up being an ineffective disappointment. I also love how most conventional weapons come with multiple cosmetic model options, such as pistol homages to Blade Runner and Firefly. Yet with great power have come great drawbacks, as so many good features carried over from SR3 now feel completely vestigial. Why do I need gun upgrades when I can shoot fireballs from my hands? Why should I bother summoning homies to help me in combat when I can throw tanks with my mind? What good are customizable cars with afterburners when they only slow me down? What’s worse is that going back to reality to do story missions causes whiplash. “What do you mean I can’t super-jump? Running is so sloooooooow here! This sucks!” Even driving the new stompy robot suit (cribbed from Volition’s own Red Faction: Armageddon) feels like a handicap. Yes, the withdrawal pains are so bad they have me complaining about a robot suit. I couldn’t help feeling like a spoiled child who’s sick of all his expensive toys, yet cries when they’re taken away.

It’s a mistake to give us the most powerful and game-transforming abilities first, because Steelport almost immediately loses the sense of place and character it has in SR3, and that leaves around 20 hours of story missions to play through without really caring about the world. Letting us literally jump over the entire map is a waste of a major asset. Volition seems aware of this, and attempts to lure us back down into the streets by littering the city with a boggling 1,400 collectible glowing things used as currency for upgrading powers. That trick works for a while, as gobbling them up has a rewarding Pac-Man feel to it, but eventually their numbers thin out and the cost of new powers rises to the point where collecting feels like the chore it is. It tries again with dozens of opportunities for side activities, as is Saints Row’s custom. Many are recycled, like destruction-derby Mayhem missions and the masochistic Insurance Fraud (which feels kind of broken and floaty with superpowers). A few new ones make use of our powers, like super-speed foot races and super-jump platforming courses, but climbing the enormous alien towers is the stand-out – it’s one of the few times where precise use of your powers actually matters in an interesting context. (It feels inspired by Far Cry 3’s radio-tower climbs.) It also highlights how difficult it is to control exactly how high and far you jump – but again, that rarely matters. Eleven Table Tennis VR

Since Steelport is largely rehashed, most of Saints Row IV’s variety and personality comes from its unique mission maps. You rescue the Saints crew from virtual imprisonment, including a hellish 1960s sitcom world, a Splinter Cell parody, and even revisiting the original Saints Row’s Stillwater. There’s another one I won’t spoil, but it really stands out as a clever and visually awesome homage to old arcade games. Settings are often great, but mission design as a whole is rarely more than standard-issue, and it’s really only the superpowers and ridiculous context that makes them feel interesting. It was kind of a pain to have to keep returning to my ship to meet with my crew and get new missions, but worth it for the Mass Effect-inspired romance gags (Kinzie’s by far the best) and a few legitimately surprising and fun moments in the preposterous story. It feels strangely low-budget, though, when your teammates refuse to turn to look at you when you speak to them, and glitchiness in animations isn’t uncommon. Two-player co-op remains a standard Saints Row feature, and it’s definitely enhanced by the superpowers. Watching another player demolish waves of aliens with ice blasts and shockwaves while dressed as a bearded lady in a mascot outfit is almost as much fun as doing it myself, and chasing each other across the rooftops and throwing cars at each other in deathmatch is terrific, as long as both players are working to make it fun and lag doesn’t cause too much of the bad kind of mayhem.

Add-ons (DLC):Saints Row IV