60 Seconds! Free Download

60 Seconds! Free Download Unfitgirl

60 Seconds! Free Download Unfitgirl The survival genre is one that’s seen a bit of a resurgence in recent years, with a new wave of indies leading the charge. One wouldn’t think that a game intentionally designed to be difficult would be much fun, but there’s certainly plenty of satisfaction to be found in overcoming the odds and managing to eke out a victory through shrewd resource management. It’s a fine line to walk, though, and while 60 Seconds! aims to provide a slightly different take on this genre, it ultimately misses the mark and fails to provide much in the way of satisfaction. Gameplay in 60 Seconds! is split into two primary components. The first half, in reference to the game’s title, gives Ted -the Dad – about a minute to scour the house in search of essential supplies and other family members. Water, food, weapons, games, tools and whatever else you grab must be deposited in the shelter entrance before you can grab more, and the layout of the house and location of items changes with each game. Whatever you do manage to grab, it certainly won’t be enough for the survival section that follows.Here, Ted and whoever else he grabbed before the time was up, must ration out the supplies as efficiently as possible, while occasionally sending out a scout to find more stuff. With each day, new events happen—like bandits trying to get in or a family member coming down with a disease—and you’re often called to make some hard choices between who lives and dies. This portion of the game is primarily oriented around text; against the still backdrop of your starving family sitting in a shelter, you read through journal entries and decide on plans of action. While all of this makes for an interesting take on the survival genre, 60 Seconds! is very much the product of good ideas marred by poor execution. Unfitgirl.COM SEXY GAMES

In the scavenging portion of the game, for example, the controls are frustratingly floaty and unresponsive, meaning that about half of your precious time will be spent watching Ted walk into walls and get hung up on furniture. One could argue that this is part of the experience, but it feels like a cheap way of adding artificial difficulty to an already challenging enough game. It’s no fun when the character on screen doesn’t necessarily do what you tell them to, and in a game such as this where every little action is critical to one’s success, tighter gameplay in this area is a must. The survival portion also suffers, though for different reasons than the scavenging side. Your choices don’t have enough of an effect on events, and this can make the entire affair feel like a waste of time. For example, we had one run where we had no choice but to send out a scout to get more water, and that scout didn’t end up coming back at all, which led to the rest of the family dying. Nothing wrong had been done, the game just decided not to let us win. A key element of the survival genre is giving the player a fighting chance, but 60 Seconds! weighs success much too heavily on randomized chance. It’s frustrating when you lose even after doing everything right, and the game provides little incentive for you to keep trying. In terms of replay value, 60 Seconds! provides plenty of options, though these all ultimately boil down to the same central concept. Several modes are available that focus on specific parts of its mechanics, such as a mode that gives you random supplies and tasks you with surviving in the shelter for a as long as possible, which does do a good job of introducing new rules or twists on the core loop. In-game achievements are also present, rewarding you for surviving so many days or picking up so many supplies, and these can help incentivise you to keep aiming for new objectives in different runs.

60 Seconds! Experience.

In short, for those of you that are hooked by the gameplay, there’s enough supplementary content present to keep the experience from getting tired too quickly. From a presentation perspective, 60 Seconds! fails to impress in any way, although it does a passable job in its own right. A decent comic book-like look is adapted – with plenty of bright colors and thick lines present – that helps to give things some style, though the look has a certain air of cheapness to it that’s hard to ignore. It doesn’t help that the scavenging portion of gameplay, which is in full 3D, completely ditches the comic look in favor of a plasticky, chunky look that makes it feel like more of an afterthought. Presentation isn’t everything, of course, but it’s glaringly obvious when a proper art direction wasn’t executed right, and 60 Seconds flounders in this regard. Your family is part of a borderline-paranoid military group dedicated to ensure that the public is ready for nuclear strikes. Through active, very intense simulations, you and your family must find ways to survive in the bunker beneath your house for as long as it takes for you to get rescued. At least, that’s the tutorial level. After that, you have to really find a way to survive actual nuclear strikes until someone comes to retrieve you all. A good comparison to 60 Seconds! would be Oregon Trail but with a rather more intense beginning. The first 60 seconds are dedicated to you grabbing as many resources as possible and dumping them into the bunker before the nuke drops. This makes for an extra game mechanic–or rather the only truly interactive one, as the rest of the game is text-based and filled with decisions you have to make. What makes these decisions engaging comes in how prepared you are.DEVOUR

In the 60 seconds you have before the fall, you have to grab the other three members of your family as well as any other supplies you can grab. You are limited to four capacity slots, and certain things take up more than one slot. Each person takes up more than one, as you would expect. At the same time, I say it’s in bad taste (and design) that the daughter, who is slightly larger than her brother, takes up three capacity slots, while the mother, who is significantly taller than everyone in the house, only takes up two slots. Each family member needs food and water in order to survive, of course. At the same time, your family members need to be nourished enough in order to go out on supply runs. You might grab a ton of food before you flee to the bunker, but you still have four mouths to feed for over a month. To top it off, you also have to have the means of defending yourself in the event of intruders. After the first 60 seconds, much of this game is based on the luck of the draw. You make decisions based on the scenarios you face along the way, and none of them are scripted. The first couple runs felt interesting, but the longer I played, the less control I had over my circumstances. While this makes sense, it begins to contradict what the game seems to attempt. While this is a simulation game, 60 Seconds! never loses its tongue-in-cheek intentions. Family members can lose sanity one day without something to do, and death can come after three days of not eating. Other times, someone can go over a week without eating. A lot of dice are being rolled, making the circumstances very much challenging in their own right. It’s hard to take 60 Seconds! seriously when it combines such difficult rubrics under the hood with obviously goofy intentions.

Scavenge.

The portion of the game in the house does not play well, making the challenge scale very inappropriately to what the game asks of you. Picking up items has a delay in it, and oftentimes you have to get incredibly close in order to grab anything. To make things worse, most inputs while in the bunker–while not game-breaking due to simplistic gameplay–are either delayed or ignored; considering how simplistic this part of the game is, I can’t help but think that converting this to console did not go well. The point to 60 Seconds! is to try and keep an ignorant family alive in a terrible crisis. There is some satire in there among the fallout, but the reward for persevering and attempting different strategies is mostly dependent on how the game treats you rather than the decisions you make. It can be fun for a bit, but the novelty can easily wear off if the style of gameplay doesn’t click with you. Playing voiceless games for hours and hours that are conveyed entirely through subtitles is something I do regularly, but I quickly lose interest in text-based games when they lack substance like this. There are specific intentions with 60 Seconds! that the developer tries to do, but the ability to enjoy those intentions are strictly on the player. If you enjoy an experience that requires you to see a scenario out rather than play through it with stilted difficulty that also doesn’t take itself seriously, then 60 Seconds! is your kind of game. There is little challenge and some fun scenarios to work through, but the payoff offers very little long-term worth. Couple that with delayed inputs and you end up with a mediocre effort in 60 Seconds! The Climb 2

For several decades the threat of nuclear war was considered to be a very probable danger and way that our society would fall. With the threat of nuclear war looming over us, there was always an undercurrent of fear that was perpetuated by various propaganda. I am too young to have gone through this, but generations before me would practice drills as school children in the event of nuclear bombs, in hopes that all that lead based paint in the school would shield them from the radiation, since a typical school desk would do little to stop the damage from the explosion. The idea of nuclear war has been addressed through every form of creative media and songs like Iron Maiden’s When the Wild Wind Blows address how the fear of such an event alone can have a catastrophic effect on people. Nuclear war is no laughing matter at all. And yet, we have franchises like Fallout that have a wonderfully sardonic sense of humor over such an event. While not even a remotely similar game, 60 Seconds! wears its Fallout influence proudly. This family degeneration simulator presents terrible scenarios in a way that is difficult to not laugh at. Granted, the pool of people (myself included) that I have shared this game with may not be the embodiment of the wholesome 1950’s suburban Leave it to Beaver ideal, but damn it we laughed at this game. We may be in a hand basket and wondering where we are headed, but we enjoyed every second of 60 Seconds! The premise is simple: you are a suburban American family in the 1950’s and the air raid sirens are blaring.

Survive.

You have 60 seconds (and now the title makes sense, and I am proud I didn’t take the opportunity to make the obvious jokes) to gather whatever you think you need in the house and run to the fallout shelter. This includes family members, though the value of those freeloaders is debatable. Why does your wife and kids need to be picked up and carried to the shelter when you have other supplies to gather. This game would be a lot easier if they assisted you in gathering items and took themselves to the shelter. I can see this family relationship taking on a dynamic similar to the Bundy family, which the disgruntled and beaten down countenance of the family patriarch suggests they already do. Of course, if you have no other family members down there, you can make the rations last longer. Just a thought. Once the family enters the shelter, the format switches from an overhead third person style to a visual novel approach. The family sits in the basement with all these collected items. Some of these can include a radio for entertainment, a gun, an ax, first aid kits, and rations. The only consumables are water and soup. No noodles, chips, astronaut food, preserves, none of that. Just soup, because it stays good in its can for 737 years. The story progresses through reading a journal which tells the tale of randomized events, very few of which are good. The family is kept alive by tending to their illnesses and injuries as well as giving them food and water. Depriving family members of food and water will eventually result in them either dying or abandoning the shelter. The apathy levels are strong in this family, which is evidenced by whenever someone does die their bones are left where they fall and will remain for days.

Keeping the family alive with food and water is only part of the equation. Insanity can set in which is represented through different visualizations. Timmy for example will wear a soup can like a hat where Ted will form a close friendship with his sock puppet. Despite the apparent uselessness of his family, Ted does apparently care for them since when I took him to the shelter with no one he had the sock puppet on day two. The soup and water is in finite supply, so someone needs to venture out in the wasteland to gather more supplies. This can take several days and the haul they bring back is randomized. They do not always come back, but items like a gas mask or ax does seem to increase their luck. Sometimes a family member may be too sick, injured, or insane to venture out to collect supplies. If all family members are in this state (or dead) all that can be done is hope that donations or a rescue party arrives before everyone dies. Random events also put the family at risk. Radiation has made the rats become more aggressive and they may try to steal your soup. Mutant cockroaches are also a thing, but what kind of nuclear apocalypse would this be without them? Knocking on the door could be any number of things. It could be the military coming to rescue you, or it could be people masquerading as firemen collecting canned goods, but having a rifle makes those beggars go away pretty quickly. The knocking on the door can be ignored, but usually curiosity got the better of me. One time Timmy didn’t make it to the shelter with us and a knock at the door was little Timmy.

He was sick and insane, but he found his way to us. We ended up dying because we ran out of water, something Timmy’s absence may have prevented. Selfish freeloading brat. Sometimes the opportunity may arise to rob supplies from neighbors. This can be done, but the family feels badly about themselves. As they should. Each playthrough is unique, even the layout of the items in the house are randomly generated so one does not simply walk into Mordor memorize the item layout and make a mad dash to collect everything. Each play through can last about thirty to sixty minutes, which is much longer than the game advertises. It kind of sells itself short in that regard. I was informed that there is one happy ending and about a dozen different unhappy endings. I have yet to see the happy ending, but I have a hunch the unhappy ones are more entertaining. As Ted, a responsible citizen and a family man, you are faced with a slight disturbance to your happy, suburban lifestyle.  With only 60 seconds left to impact, guide Ted in a mad, intense and action packed dash through his house in search of his family and useful supplies. Everything will be against you – time, your very own furniture, the house that’s different every time you play and the fundamental question – what to take with you and who to leave behind? Reaching the fallout shelter in time and alive is only the beginning. Whatever you scavenged and whoever you saved will play a vital role in your survival. Each survival story will be different, with every day surprising you with unexpected events. Will all of these stories end well? It’s up to you. Ration food and water, make best use of your supplies, face difficult choices and even venture into the wasteland.The Isle

Add-ons (DLC): 60 Seconds!