Transformers: Fall of Cybertron Free Download

Transformers: Fall of Cybertron Free Download Unfitgirl

Transformers: Fall of Cybertron Free Download Unfitgirl Following years of mediocre, movie-tied titles, 2010’s Transformers: War for Cybertron finally did right by the Robots in Disguise. The series lost some ground—and geek cred—with last year’s film-based Dark of the Moon, but with no Michael Bay influence in sight, the franchise has returned with a proper follow-up to what’s widely considered the best game the toy license has ever seen. Rather than taking the quick-cash path and simply duplicating War’s successful formula, though, Transformers: Fall of Cybertron retains its predecessor’s core appeal while tweaking its template in some significant ways. The result is another solid entry that improves upon the game that spawned it, but also takes a small robot step backwards. In terms of presentation, storytelling, and production values, Fall of Cybertron trumps its older brother across the board. While it takes place on the battling bots’ same war-ravaged home planet, its visuals feature far more detail and variety. Over the course of the campaign’s 13 chapters, players are treated to sprawling, scarred battlefields, cloud-sitting cityscapes, creepy interior dwellings, ancient sand-choked ruins, and slime-covered subterranean settings. Sure, the overall style is still defined by sparking scrap heaps and rusty metal, but unlike War’s same-y feeling levels, each of Fall’s chapters pack plenty of visual surprises. Unfitgirl.COM SEXY GAMES

The new focus on variety doesn’t just paint a prettier Cybertron, but also makes it a more interesting place to explore. Where War allowed players to pick a character before entering each level, Fall sets them up with a specific Autobot or Decepticon at the start of every chapter; this might sound limiting, but it’s allowed the developers to carefully craft each chapter around a specific hero’s abilities. So rather than simply barreling through each level from behind any old bot with a big-ass gun, players find themselves relying on Cliffjumper’s cloaking ability to navigate a level built around stealth, bouncing around a virtual jungle gym with Jazz’s grappling hook, and unleashing all kinds of hell in arena-style areas as Grimlock. Speaking of the gravelly voiced Dinobot, fans will be happy to know he makes far more than just a cameo. Grimlock, with his sword-and-shield-wielding form as well as his fire-spitting Jurassic state, is playable for a good 60-90 minutes of the campaign. The other new characters possess their fair share of fan-pleasing moments, too. It’s fun to unleash Metroplex, Optimus’ personal, remote-controlled Rock ‘Em Sock ‘Em robot, and harnessing your inner Godzilla behind the screen-clearing Bruticus is an absolute blast.

THE DYING PLANET GOES OUT WITH A BANG.

Because Fall of Cybertron’s chapters have been thoughtfully built with specific Autobots and Decepticons in mind, their overall design feels a bit more scripted and linear than War for Cybertron’s levels. Despite the more directed action, there’s still ample opportunity to freely transform between robot and vehicle form and even customize each bot’s arsenals. Regardless of which Transformer you’re using—or which side of the war they’re on—collected currency, unlocked weapons, and their purchased upgrades are shared between characters. For the more adventurous types, Cybertron offers audio logs, weapon blueprints, and Energon shards off the beaten path to extend your play time. Fall of Cybertron’s narrative also benefits from its character-driven approach, breaking up the standard bot-blasting action with a number of stunning set pieces and scripted events. Additionally, the inclusion of those aforementioned cameo characters not only introduce creative new ways to crush robots like beer cans, but also support key plot points; Grimlock, for example, has garnered plenty of buzz for his over-the-top attacks, but his integral role in the overarching narrative actually outshines his ability to barbeque bad guys with his breath. Many objectives are also buoyed by a fantastic sense of urgency; whether frantically outrunning rising toxic waste as Jazz or attempting to halt a getaway transport as Swindle, there are more than a few time-based tasks capable of causing heart palpitations. Additionally, a few point-defending scenarios along the campaign path could teach any Horde-like mode a thing or two about getting players’ trigger fingers and pulses pounding in unison. FIFA 15 Ultimate Team Edition

Regrettably, War’s popular campaign co-op has been cut for Fall. Though justifiable from a plot perspective, those who prefer playing with friends might see this as a replayability-siphoning deal-breaker. Campaign co-op may be on the cutting room floor, but Fall does bring back the series’ excellent Escalation mode. This Horde-like challenge tasks up to four players with fending off 15 swarms of increasingly pissed-off bots. More than just an opportunity to mindlessly unload on metallic menaces, Escalation injects plenty of team-based strategy by requiring players to pool resources to unlock arsenals and upgrade weapons. Couple this cerebral layer with thoughtfully designed maps, a quartet of character classes, and the constant challenge of striking the right strategic balance between vehicle and robot forms, and Escalation delivers the most rewarding live-as-long-as-you-can mode I’ve played in recent memory. Players who’d rather blast buddies to bits than watch their backs can dive into the game’s robust suite of competitive online options. Fall of Cybertron’s team deathmatch, conquest, capture the flag, and head hunter matches put a fresh, Transformers-flavored spin on familiar competitive formulas; while objectives and goals will seem commonplace to anyone who’s played any number of Call of Duty clones, the ability to swap back and forth between bot and vehicle forms adds a strategic wrinkle no military shooter can compete with. Furthermore, because just about every weapon in Fall’s arsenal makes other online shooter’s most powerful hand-cannons look like peashooters, managing nuanced factors such as cool-down times and ammo capacities becomes more important than simply equipping the biggest damage dealer. Longtime fans of the toys-turned-titans will especially appreciate the crazy-deep character creation tool; as players level-up and earn points, they can spend their hard-earned Energon on their own creations, tweaking their personalized classes to their heart’s content.

GAMEPLAY

The Transformers may be more than meets the eye, but Transformers: Fall of Cybertron has an obvious goal: to let you control numerous Autobots and Decepticons while filling the screen with as much fire and brimstone as possible. Developer High Moon strives for metal-on-metal sensory assault, which is both a strength and a weakness. When the game thinks big, your eyes and ears are treated to larger-than-life spectacles; gargantuan robots sprawl across your view, and you annihilate mechanical monstrosities with the touch of a button. But Fall of Cybertron’s most exciting moments are those you watch, not those you play. It can be a lot of fun, but the visual thrills don’t consistently translate into stimulating gameplay. There is excitement to unearth, however–it just takes a while for it to come into focus. The first half of the single-player campaign never finds a groove. You spend several levels in control of the kingly Optimus Prime, who sounds more than ever like an elder statesman, morally incorruptible and in complete control of his emotions. As in Transformers: War for Cybertron, you can morph from robot form to vehicular form and back again, though shooting, driving, and shooting-while-driving aren’t Prime’s only skills. He also fires artillery, ducks under beams, orders air strikes, lifts heavy objects, comforts his subordinates, and pulls levers. Fifa 19

That’s normal shooter stuff, of course, but Fall of Cybertron’s first half has you spending so much time watching explosions, performing single-button tasks, and occasionally hitting a button to make things die, that the full-fledged action seems like an afterthought. There aren’t many extensive shooting sequences here. Instead, you get tossed from one task to the next without any kind of rhythm developing. Battles heat up just in time for you to find another door to open or another scripted event to witness. Aspects of the flat early hours carry over to later hours as well. Every major showdown between main players is interesting to watch but boring to play. That includes the game’s final encounter, which you conquer not by overcoming a challenging enemy, but by responding to button prompts. Prompts that involve only one button. Yet even before you leave Optimus Prime behind for other Transformers, there are momentary pleasures that keep you invested. Some of these moments are power trips: you speed across a bridge, mowing down the nameless bots that dare cross your path. Others build atmosphere: a facility morphs around you as you walk through it, making you wonder what might be causing such an anomaly. All the while, you get a real sense that the planet of Cybertron has reached its expiration date. Environments are in various stages of collapse, and the skies burn with sparking metal and the blistering exhaust of Decepticon dropships.

CYBERTRON’S EPIC FINALE

From here, Fall of Cybertron cycles you through various Transformers, changing up the gameplay–and then changing it up again just when you get the hang of things. One mission encourages stealthiness, having you go invisible and sneak behind sentries for a one-button execution. As Jazz, you play as a sort of bionic commando, grappling from platform to platform, using your mobility to stay out of the sights of the foes that continually hound you. Aside from the levels in which you soar through the skies in vehicular form, careening about as Jazz is one of the most enjoyable things to do in Fall of Cybertron, in part because you must stay light on your feet if you want to stay alive. The controls are smooth and the animations are fluid, so zipping from spot to spot is never a struggle, just a joy. FIFA 21 Legacy Edition With Yuzu Emulator

Land battle sequences play out as a standard third-person shooter and are generally solid, though there is an odd disconnect between the mechanics and the level design. Most Transformers are glass cannons–that is, you might do a lot of damage, but you’re also surprisingly vulnerable, considering you’re a huge hunk of metal. The game even encourages you to use cover, and indeed, several areas seem ripped right out of a cover shooter. Friends and enemies regularly use cover, but you yourself cannot; you can’t even duck. Wading directly into the fray is sure death, and more time than you’d want is spent trying to find a safe spot for your shields to replenish, rather than standing strong.

Larger levels fare better, encouraging you to morph back and forth from bot to vehicle. The best of these have you zipping through the air and dropping death on your foes in aerial form, and then landing on platforms and finishing off the survivors. Sadly, there are only a few such levels; others are more interested in sending you on a power trip than in making you earn your triumphs. In several instances, such as when you stomp about as Grimlock, you lose ranged weapons in favor of melee attacks, wreaking havoc on waves of foes by slashing, swiping, and breathing fire. There’s little strategy involved–you just press buttons and view the dramatic display of death that ensues. It’s exciting to watch, but you’re not working very hard for the victory.

Add-ons (DLC):Transformers: Fall of Cybertron