Saints Row IV Re-Elected Free Download

Saints Row IV Re-Elected Free Download Unfitgirl

Saints Row IV Re-Elected Free Download Unfitgirl Few games do ‘fun’ with as much enthusiasm and self-awareness as Saints Row. While GTA tempers its acerbic tone and pop culture devotion with a firm set of in-game rules, Volition’s open-world series has always aired towards the silly and the slapstick. Want to throw yourself into oncoming traffic and ragdoll your way to insurance riches? It’s got you covered. Want to fight off zombie hordes? Star in your own sci-fi B-movie? Have tank battles while in freefall? Check, check and check. And from its earliest moments, right through to the roll of its credits, Saints Row IV: Re-Elected never lets that grin slip from its face. One moment you’re climbing a nuclear weapon while Aerosmith’s ‘I Don’t Wanna Close My Eyes’ croons in the background. The next, you’re piloting a spaceship through an alien mothership – naked, naturally – while Haddaway’s ‘What Is Love’ blares like the ’90s banger it truly is. And that’s just within the first hour. Just hearing Nolan North – one of many voices you can choose for your charismatic avatar – spewing out secondary school-level one liners and swearing like a trooper is far more hilarious than it has any right to be. For Saints Row IV – and its newly released Re-Elected port for Nintendo Switch – that sense of power fantasy has been taken to the next level. From a technical perspective, this is largely the same as game as the third instalment in the series – you’re once again battling for control of the city of Steelport, with the same onus of wrestling control of districts back from an enemy faction while shooting everything that even remotely dares to move – but now with a set of superpowers that completely change how you play. Unfitgirl.COM SEXY GAMES

One moment you’re jumping into a car to traverse the city in classic open-world urban style, then you unlock a super jump that lets you leap over buildings and scale skyscrapers. Then you gain access to a super sprint that outstrips most vehicles. And that’s just the first bite of this metahuman-themed cake. After a while, Saints Row IV stops feeling like a ‘GTA clone’ (a term that hasn’t applied to this series for years) and starts playing more like Xbox-exclusive Crackdown. Even before you unlock some of the elaborate powers Saints Row IV has to offer, your relationship with the city around you completely changes. You’ll use the highest buildings to glide from one neighbourhood to another, slamming down to Earth only when you need to deal out justice to the alien empire that’s decided to ruin your newly elected status as President of the United States by invading and enslaving the planet. Yes, all those powers are in fact your way of hacking the simulation you and the rest of humanity find yourselves suspended within. Can you guess the film reference, there? Because it’s very subtle. When you’re not ‘getting your Neo on’ in the simulation you’ll return to the ‘real world’ aboard a ship that’s in no way a pastiche of the Normandy from Mass Effect. The fact you can rescue characters and build a crew – who you can also ‘romance’ at will – is purely coincidental. Look, Saints Row IV is having so much fun – as you will, too – that its satirical nature never feels mean spirited. Although, while self aware, it’s devil may care attitude to being PC means some players might find its sense of humour a little puerile.

Saints Row IV – Enter The Dominatrix.

As a port, Saints Row IV is a solid one, offering a far smoother transition than the one afforded to the third entry in the series. There’s the occasional bit of pop-in and you can see where some textures and details have been downgraded to free up memory and processing power, but on the whole this is a game that manages to retain most of the semi-cartoonish looks found in other console versions (being set mostly at night probably doesn’t hurt, either). Even in handheld mode, we encountered very few instances of slowdown or technical hiccups. In fact, we experienced more crashes and problems playing the game on Xbox One than this solid Switch port. Of course, some things port over better than others. The smaller analog sticks of the Joy-Cons have never been a particularly good fit for shooters and you’ll need to dial up the sensitivity quite a bit to help negate this issue. You’re also noticeably underpowered when it comes to combat in the first few hours, which, when combined with the unwieldy aiming controls, can make gunfights a lot less enjoyable until you start unlocking better weapon upgrades. Thankfully, the onus on greater movement agency helps temper this issue. Simply climbing huge alien towers with your super jump, or racing through the streets in super-powered races, becomes the game’s most enjoyable elements. Players who have played the first game shouldn’t expect anything new in terms of content – although new players will be pleased to know the Re-Elected package includes all post-launch DLC. The only real ‘new’ addition is support for motion controls, which are decent and do help with the accuracy issues of gunfights if gyro controls are more up your alley.Need for Speed Carbon

Support for co-op is also included, should you want to team up with a friend and unleash super chaos in Steelport. However, even as a purely solo experience, Saints Row IV ends up being one of Switch’s mostly action-packed open-worlders. When IGN reviewed Saints Row IV in 2013 on Xbox 360, PlayStation 3, and PC, we awarded it a score of 7.3, for “good.” Here’s what we said then: With its recycled map and wildly overpowered abilities, playing Saints Row IV feels a lot like enabling god-like cheat codes in Saints Row The Third and going nuts. Its ridiculous story, goofy characters, self-aware humor, and amazing character editor make it all work, especially for those of us who’ve played the previous games and can appreciate its in-jokes. But its appeal is shortened by the ludicrous speed at which we can zip across it and grow tired of its lack of challenge. It’s just as much fun in Saints Row IV: Re-Elected for Xbox One and PlayStation 4, which repackages the old-gen original with all of its DLC and a strangely paced but creative new standalone adventure, Gat Out of Hell. Visually, Re-Elected offers a small but noticeable improvement over the Xbox 360 and PlayStation 3 versions of Saints Row IV. Obviously it’s higher resolution, the lighting’s a bit nicer, character models are slightly more detailed, and everything moves a little more smoothly as you glide past at high speeds. It’s not a huge bump, though, and it’s still not quite as good-looking as the PC version was in 2013. Also, Re-Elected’s only new gameplay features are a spate of neat-but-superfluous voice commands – which save you the trouble of using the d-pad to switch powers, or the pause menu to summon AI partners – and the option to use the PS4’s touchpad during quick-time events, so there’s no real replay value if you played the original.

The American Dream.

Then again, Saints Row IV was never notable as a technical marvel. Its appeal comes more from bounding through its familiar, bland city of Steelport – now with an alien, intentionally glitchy-looking makeover – with upgradable superpowers that make its highly customizable vehicles completely obsolete after just a couple of hours. Its weapons are bizarre (and occasionally obscene), its character-customization options are wildly varied, and its map is littered with destructively fun things to do. And while its story missions annoyingly strip you of your powers, they compensate with unique and unexpected experiences that range from quasi-2D beat-’em-ups to narrated text adventures. In these respects, Re-Elected still holds up beautifully. It also piles on content, including two short expansions: Enter the Dominatrix, the deliberately unfinished DLC that Saints Row IV grew out of; and How the Saints Save Christmas, a cheesy adventure that involves mowing down malevolent gingerbread men in a bid to free Santa from alien captivity. The centerpiece, however, is Gat Out of Hell, a fun, four- to six-hour single-player or co-op adventure that sees Kinzie and Johnny Gat diving into Hell to rescue the President. Using Lucifer’s stolen halo, the pair can use familiar superpowers to explore the underworld – which, despite being completely new, feels strangely like a smaller Steelport with an infernal re-skinning. However, being able to explore Hell by actually flying feels even more liberating than SRIV’s jumping and gliding, and it makes hoovering up collectible power-up orbs even more enjoyable. And the new weapons, including a minigun-equipped armchair and the Ark of the Covenant – which uses enemies as ammo – are a blast for mowing down guardian demons. A Total War Saga: TROY

Saints Row IV is the definitive sandbox game for anyone who’s a bit tired of the more serious attempts like Watch Dogs, Grand Theft Auto V, or even inFAMOUS: Second Son. It’s constantly in danger of breaking the fourth wall, its storyline is absurd, and its gameplay is completely over-the-top. You’re the president of the United States of America, you wield horribly overpowered superhero abilities, and you fight ugly aliens in a virtual simulation in order to get closer to their leader, who blew the Earth to pieces along with its human population of about seven billion. It’s fair to say that you either think all of this sounds amazing, or you think that it just sounds far too stupid to be enjoyable. If you’re of the former persuasion, chances are that you’ve already played Saints Row IV on the PlayStation 3, but there’s little doubt that Saints Row IV: Re-Elected is the best console version of the release – mostly because it doesn’t run at about 15 frames-per-second half of the time. Indeed, the fourth title in Volition’s wacky franchise really struggled on Sony’s previous machine at times, and it’s really the only factor that we marked the otherwise highly enjoyable release down for in our review. Fortunately, as alluded, Re-Elected is far more stable performance-wise. You can fire off your superpowers like a madman, and the game will tend to keep up nicely. Unsurprisingly, it also looks more impressive, although probably not to the extent that you’d like. The draw distance is much better, and the lighting looks far smoother, but the title is still coated in disappointingly muddy textures. Still, the game is yet to fully crash on us, so we suppose that praise is owed where it’s due.

Super Hero-in-Chief.

Moving briskly onto the gameplay, we dare say that the re-release is some of the most fun that you can have on the PS4. The virtual rendition of the city of Steelport is ripe for sandbox mayhem, and the game delivers this in spades. It gives you everything that you could possibly want when it comes to making your own fun, and then it lets you loose on the populace and your alien oppressors. It can lack a bit of challenge, sure, but it’s a title that’s far more interested in seeing you bend the rules, rather than throwing difficult tasks at you. Speaking of tasks, the map is peppered in optional objectives for you to tackle, from simple ‘kill every alien’ assignments to favourites like super powered insurance fraud and tank mayhem. All in all, there isn’t a single mission type that outstays its welcome barring the still-dreadful store hacking minigame. In a release that prides itself on the ridiculous, this incredibly tame mix-and-match puzzle feels totally out of place, and frankly, we can’t believe it made it into the original game, let alone its re-release. It’s the title’s combat, however, that steals the show. As previously mentioned, you’re practically submerged in a stream of new weaponry and superpowers, and the game’s rewarding nature is what’ll keep proceedings feeling fresh. Murderous melee attacks, elemental blasts, telekinetic throws, and devastating aerial bombardments are the order of the day, and combining all of these techniques with a whole host of guns proves to be a fluid and satisfying experience – especially when you come across a combination that really gels with your style of play.  If there’s one negative to come out of this, though, it’s that some players may think that they’re actually given a few too many options.

The sheer amount of powers and armaments on offer, along with all of their subsequent upgrades, can be overwhelming at times, but if you allow yourself to take things at a steady pace without blowing all of your digital money on every advancement in sight at every opportunity, you’ll find that there’s a nice, rewarding character progression system at work here. Which brings us nicely to the matter of customisation. Not only can you chop and change your abilities as you see fit, but you can also build your perfect president with the help of hundreds of customisation options. Male, female, green-skinned, fat, thin, sexy, ugly – it really doesn’t matter who or what you decide to create, again reinforcing the sense that the game just wants you to have fun no matter what your preferences are. It’s worth pointing out, however, that we failed to find an option to upload our character from the PS3 version at the time of writing. Whether this is simply a case of Volition’s character servers not being matched up yet, we’re not sure, but if you were keen on importing your Boss into the next-gen edition, it might be worth snooping around for answers online. The Boss of the Saints has been elected to the Presidency of the United States but the Saints are just getting started. After a catastrophic alien invasion of Earth, the Saints have been transported to a bizarro-Steelport simulation. With homies new and old, and an arsenal of superpowers and strange weapons, they must fight to free humanity from alien overlord Zinyak and his alien empire, saving the world in the wildest open world game ever.

Play as the President of the United States in a wild story that spans countries, time, and space. It’s up to you to free the world. Leap over buildings. Kill people with your mind. Run through tanks. Those are just some of the powers on offer that you can wield in your quest. Wield an impressive array of alien vehicles and weapons – the Inflato-Ray, the Polarizer, the Disintegrator, and many more. You’ve customized your character. You’ve customized your clothes. Now you also have a powerful weapon customization system. Sadly, things can’t always be about player freedom when it comes to being the last remnants of the human race. When you’re making waves in virtual Steelport, it’s liberating to leap over skyscrapers and glide across the map dressed like the most nightmarish Batman the world has ever seen, but when it’s time to advance the plot, things aren’t quite as madcap. In a Matrix-style twist, your superpowers don’t carry over to the real world, where you’re aboard a spaceship stolen from your evil alien aggressors. This means that during many of the main quests, you’ll need to rely purely upon your aim as you gun down your enemies rather than freeze them solid and shatter them with a baseball bat. As such, plot progression comes with a bit of a downer, but thankfully, the story is entertaining despite a few disappointingly brief cutscenes, the writing is often comedic gold, and the missions themselves are varied and generally very enjoyable to play through. Of course, we can’t finish this review without mentioning the soundtrack, which is still arguably one of the best selections of music to be found in a sandbox title. Stan Bush’s ‘The Touch’ headlines a playlist that includes Robert Palmer’s ‘Simply Irresistible’.  Marvel’s Midnight Suns UNLOCKED

Add-ons (DLC): Saints Row IV Re-Elected College Daze