Crossing Souls Switch NSP Free Download

Crossing Souls Switch NSP Free Download Unfitgirl

Crossing Souls Switch NSP Free Download Unfitgirl The 1980s! It’s been 29 years since they ended and we still cannot escape them. The pop-culture power of this weird decade is such that even today we mine its essence for influence and storytelling. Honestly, this humble writer is just about to tap out on this flavour of nostalgia. The next ‘Simon’ toy we see is going straight out the window The Kickstarted debut release from Sevilla developer Fourattic and published by Devolver Digital, Crossing Souls is, among many things, the latest contender for the apparently coveted ‘maximum ’80s’ crown. Fortunately, Fourattic built this pastiche of pop culture on top of a solid — if occasionally frustrating — beat-em-up foundation with some fancy tricks up its sleeve. Imagine, if you will, Stranger Things written by Steven Spielberg and animated by Don Bluth, played back from an exhausted VHS tape. The loyalty and love of its subject matter is abundantly clear, and its focus on execution is sharp. Crossing Souls follows five teenage-ish friends in a small California town who come across a mysterious, deadly trinket called the Duat, enabling them to interact with the spiritual world surrounding our own. Naturally, some Very Bad People (TM) want the Duat to kick off the ominous-sounding ‘One-Day War.’ Being teenagers in the 1980s, you are the best — nay, only ones — equipped to stop them. Events are nominally set in 1986 California but Crossing Souls is more interested in amplifying the decade than staying faithful to history. Nods to Ghostbusters II (1989) and Metal Gear (1987) are clear anachronisms, but, like, whatever; enjoy the full decade, nobody’s getting hurt here. Unfitgirl.COM SEXY GAMES

The game itself is an overhead brawler with platforming and exploration elements, broken up over the course of its 8-to-10-hour run time by the occasional boss battle and genre switch-up stage. Players control the party of friends, each with their own unique abilities and health, switching between them at will. Some do better in certain scenarios than others, which encourages you to get proficient with all of them to boost your odds. Baddie blasting projectiles got you down? Smack ‘em back with blue-haired Chris’s baseball bat. Come across an impossible jump? Nerdy Matt’s rocket boots will bridge the gap. And so forth. The Duat itself can be toggled on or off to reveal denizens and hazards of the spiritual world otherwise unseen. Oh, mild spoiler, but someone in your party bites it early. End spoiler. Once they’ve crossed over and rejoined the fray, you can flip on the Duat to control them as a spirit, which opens up new abilities like walking through closed doors to reach otherwise unobtainable areas. Stages and enemy encounters make smart use of these abilities — adding a pleasing tactical element to what could otherwise be unremarkable beat-em-up gameplay. When at its best, Crossing Souls thrusts you into situations demanding you to make on-the-fly strategic decisions, be it from managing multiple enemy types at once or navigating deadly stage hazards. However, some of the more basic abilities being locked to individual characters — like jumping — can at times feel like a cheap way of forcing tension during otherwise stressful times. And without a limiting mechanic (like a battery meter), there’s simply no reason to not just leave the Duat activated at all times once in your possession.

Crossing Souls The cutscenes are inspired by 80’s cartoons, totally original and never seen before in a videogame.

The game world can be fairly empty with the Duat switched off, and leaving it on offers access to abilities that you otherwise wouldn’t have. The power comes with no counter-balancing tension and little strategy, both of which would help elevate its presence. While in theory a nice change of pace from exploring the world, the occasional genre change-ups don’t always add to the enjoyment. A bullet hell sequence later in the game frustrates, and unevenly designed boss battles (including a Simon-themed one, aaaaah) range from dialling in on the balance of mechanics that makes the game unique to chaotic hot messes. You can’t skip the cutscenes, either, so don’t fail. The story is genuinely interesting, especially for how it attempts to tell a new tale using the tropes, themes, and soul at the core of all your favourite things from the decade. This is a story of devoted friendship, of never giving up in the face of immense adversity, of weird science. It’s so faithful to the type of film of the era that we wouldn’t be drastically shocked to learn that this was a script in development that just never made it off the ground until now. And it’s fun! One knock against it is that the English script could use another layer of polish to sound more natural. Some might find this charming, but after a while, the occasionally questionable phrasing and odd typos can be harder to look past. It’s easy to let yourself be lured into the 1980s world of Crossing Souls. The striking, Saturday morning cartoon cinematics pull you into an equally enticing pixel-art world, where every little detail is likely something significant from your childhood, at least if you’re over 30 years old.Cities Skylines

But while there is some satisfaction in the game’s core action, the way it utilizes and adheres to its retro-pop influences ultimately detracts from it in the long run. Taking its cues from films like The Goonies, Stand By Me, and The Neverending Story, Crossing Souls revolves around a group of five teenagers as they discover an ancient artifact with mystical properties. With some tinkering from the group’s incomprehensibly brilliant genius, they learn that they can cross into the spiritual world and interact with ghosts. Naturally, their discovery draws the attention of a ruthless paramilitary organization who will stop at nothing to obtain the stone for their own nefarious purposes, including harming the children and their families. You control all five kids, guiding them through an action-adventure analogous to 2D Zelda games, and regularly switch between them to take advantage of each kid’s unique attack and traversal abilities. Main protagonist Chris is an athletic type who hits things with a baseball bat, aforementioned genius Matt has a deadly ray-gun because he’s smart I guess, “Big” Joe’s large frame means his punches pack immense damage, Charlie (Charlene) has a skipping rope that provides great crowd control, and Chris’ kid-brother Kevin can pick his nose, and that’s about it. Each kid has separate health and stamina bars, but depleting the health of just one means game over. Combat is a juggling act where you might be using the kid whose attack is most suitable for the fight, but also tagging them out when they take too much of a beating or become exhausted. It’s a system that’s surprisingly involved; taking out a group of enemies with a character’s melee combo is easy enough, but you can very quickly become overwhelmed after a couple of whiffed blows or ill-timed dodges.

Be part of a journey between two realms, two realities: life and death.

The skills and abilities you have at the beginning of the game are what will carry you all the way through to the end since Crossing Souls eschews ability and equipment upgrades. But although combat isn’t particularly complex, most attacks have satisfying feedback which give fights an enjoyable heft, and encounters are challenging enough to continually keep you on your toes. Crossing Souls also features some equally demanding environmental puzzles. While simpler variants involve throwing switches, finding keys, and using Big Joe to move boxes, there are also a significant amount of unexpectedly challenging platforming sections where you’ll use Chris’ unique ability to jump and climb in tandem with Matt’s ability to hover for limited distances, and flip back and forth between the two in quick succession. You eventually also get the ability to cross into the spirit world to phase through doors (although not walls or traffic cones, strangely), which introduces another facet to puzzles. The game’s character movement and perspective isn’t an ideal fit for precision platforming, and some later challenges introduce some downright devious scenarios that verge on aggravating, but even so, completing these puzzles feel like well-earned achievements. The game seeks to maintain a balance of difficulty which teeters on that precipice of engaging and downright frustrating. But it’s a thin line, and there are a handful of significant sections that feel like they err too much on the wrong side. One particular sequence involves an extensive fetch quest that makes you ping-pong through numerous NPCs to move things along, and then asks you to make a seemingly straightforward deduction.Bloody Zombies Switch NSP

But it felt as if a step was missing, something that could help you deduce the specific location to apply that information, and this completely curbed my enthusiasm until I brute-forced my way through it. Some boss fights have an overly demanding onslaught of projectiles for you to dodge at length. They’re shoot-’em-up-style patterns you need to internalize and anticipate with little room for error, and in these scenarios, throwing yourself at it again and again while learning a bit more each time is what will eventually get you through it. But while I personally enjoy these kinds of challenges, Crossing Souls isn’t a game that’s tuned for precise, repeated action. So hitting one of these particularly tough battles, failing it because you’ve been stun-locked by mortar fire, and then having to watch an introductory cutscene again and again is annoying enough to make you walk away. Outside of regular combat and puzzle-solving, Crossing Souls also weaves in standalone minigame scenarios that are directly based on iconic 1980s film and video games. Sequences that echo Double Dragon, Raiden, and the bike chase in E.T. The Extra-Terrestrial are fun diversions, but these examples represent the extent to which the game leverages its influences in a significantly positive way. It’s 1986 in California. A group of friends discover a mysterious pink stone that allows to travel between two realms. This gang will live the summer of their lives in an adventure that will get them involved in a government conspiracy. Control five kids with special skills while fighting and solving puzzles in order to save their families and the world.

The story includes a government conspiracy, thousand-year-old characters, cowboys, pirates, ice cream, pizza, cheeseburgers, basketball… well, you got it.

Crossing Souls is an action-adventure set in a California suburb in the midst of a supernatural event that rocks the small community as grand forces siege the town. Control five characters: Chris, Matt, Charlie, Big Joe and Kevin, each one with their own skills and combat styles. Change characters on the fly and use each character’s specialties to overcome any obstacle and target your foe’s weaknesses. Fight in real-time, solve clever puzzles, face off against powerful bosses and play special levels inspired by 80’s arcade video games.  When Crossing Souls’ protagonist wakes up in his pixelated bedroom, it’s not exactly difficult to divine which decade we’re in. The walls are adorned with posters of Ghostbusters and the now-defunct space shuttle. A clunky gaming console sits by a box-shaped TV. An artificial, fizzy green drink has spilled on the wooden floor. This is most definitely the 1980s. Crossing Souls’ chief ambition is to evoke nostalgia, and that goal it is evident in everything it does. In the summer of 1986, the blue-haired main character, Chris, leads a band of four school friends around their California hometown. They are a Spielberg cliché: the geeky inventor-type, the annoying but lovable younger brother, the chubby one with a big heart, and the red-haired kickass girl. The chums come across a mysterious ancient artefact that will turn their sheltered suburban lives upside down. Soon they’re battling the forces of evil, crossing dimensions and even travelling through time. This Goonies-style gang works through puzzles and battles baddies while the rose-tinted popular culture references are laid on thick and fast.

Each character has a different trick – the nerdy one shoots a homebuilt ray gun, while another can dash out of the way of enemies – and you switch between them for different scenarios. At one point, you’re running through an ET-like plastic quarantine corridor. Later, the team fights an aristocratic evil spirit straight out of Ghostbusters 2. Back to the Future’s DeLorean car even makes a brief appearance. Crossing Souls’ dimension-splitting story even lifts references from Stranger Things, a current TV show created to scratch a similarly nostalgic itch. Disappointingly, some of the more worn-out conventions of the 80s are also present, most notably in poorly executed humour and lazy writing. The squad spend most of their time blandly discussing what is happening in front of them. One angry father is called Angry Father. Another villain, with a buzz-cut, is named Heartless. Anyone born after 1995, for whom many of the references are likely to fail, might wonder what the point is. Crossing Souls romanticises the games of the era: it’s hard, you’ll die a lot (especially during the devastatingly tricky boss battles), and, in a nod to a time when games consoles had hardly any storage, it only lets you save the game occasionally. If you don’t find a place to record your progress – represented by a little floating cartridge – you must often replay at least 30 minutes. During a particularly frustrating play session when my character kept falling into lava, I started shouting at the screen, briefly becoming an embodiment of gaming cliche. But when I eventually made it, the elation transported me back to my childhood self, victorious after beating that one awful level on the Sega Mega Drive.

The first big project from a team of Spanish developers working out of an attic in Seville, Crossing Souls is a passionately made ode to an era, even if it occasionally feels underwhelming. From the plucky 2D characters to the synthesised background music to the dated-looking cartoon cutscenes, it captures the 80s perfectly. There is nothing original about this game, but that is why I enjoyed it. Much more than telling a narrative that takes place in the 80s, Crossing Souls seems to gather every single reference and cliché from that time and turn them into an amalgam of a friends-meet-stranger-things adventure. Similar to what we would see in a Stephen King or Steven Spielberg story, you’ll follow five friends on a dangerous adventure that starts after they encounter an artefact that allows them to peek into the world of the dead. It does hit hard on many of the tropes from this kind of narrative, as you’ll go from reference to reference during the whole adventure. Surprisingly, still, Crossing Souls manages to create memorable moments thanks to its relatable roster of characters and its superb presentation. That is where Crossing Souls truly shines. The whole adventure of Crossing Souls is portrayed with an astonishing good pixel art style, which has a very distinct colour pallet, with lots of neon-like tones of pink and purple. It creates a unique mood that mixes well with both the 80s aesthetics and the paranormal theme. While the scenarios are presented within a top-down perspective, with LOTS of details everywhere, characters have different styles for their sprites in-game and their portraits during dialogues. Both are well-animated and full of personality, complementing each other. NASCAR 21 Ignition

Add-ons (DLC): Crossing Souls Switch NSP Soundtrack