Call Of Juarez Gunslinger Free Download

Call Of Juarez Gunslinger Free Download Unfitgirl

Call Of Juarez Gunslinger Free Download Unfitgirl In the days of the Old West, cowboys and outlaws often had their stories told in dime novels. Radio was still decades away and word of mouth spread slowly, so from the 1860s to the early 1900s, these cheap books printed on pulp paper were the main reason the likes of Buffalo Bill, Jesse James and Billy the Kid gained wide notoriety. The problem was, the vast majority of the stories in these dime novels were fictionalised. Tall tales were ten a penny in those days – not like today, when all the news we get is absolutely accurate (ahem) – so often these written accounts of that era’s household names were full of exaggeration and sensationalism. This is the general theme of Call of Juarez: Gunslinger, a brilliant first-person shooter and the fourth game in the Call of Juarez series. Before we go on, we’re going to go with the assumption that you didn’t play Call Of Juarez: Gunslinger when it was originally released in 2013 for the Xbox 360, PS3 and PC. If you did, here’s all you need to know: it’s pretty much the same game and performs perfectly fine, so if you’re happy to play through it again then fill your (cowboy) boots. For the rest of you, read on. Call Of Juarez: Gunslinger casts you as Silas Greaves, an old bounty hunter whose life is the stuff of legend, partly thanks to those dime novels. When Silas enters a saloon in Kansas in 1910, a trio of drinkers asks him to regale them with tales of his rootin’ and shootin’ days. He happily obliges, but as his story – and the game’s plot – starts getting too far-fetched, Silas’ small audience begins to make their concerns known.Unfitgirl.COM SEXY GAMES

Did he really do everything he claims, or is this yet another example of the story being bigger than the man? Rather than limiting this idea to the game’s cutscenes, it’s played out in a brilliantly clever way during actual gameplay. Silas narrates the action throughout and is able to change the story on the fly any time his account is questioned. A good early example is when Silas finds himself trapped in an open area with a bunch of Apaches firing arrows from the cliffs above him. When one of his listeners argues that this doesn’t seem realistic, he clarifies: it wasn’t Apaches, it was bandits attacking him apache-style. With that, the game rewinds and the Native American enemies are replaced with gun-wielding outlaws. Narrative gimmickry can only get you so far, of course, but thankfully the gunplay is just as entertaining. Much like its story, Call Of Juarez: Gunslinger’s action is somewhat exaggerated and feels almost arcade-like at times. This is no tactical shooter where you’re expected to meticulously analyse the battlefield before coming up with a plan of attack; wading in all guns blazing is just as effective, especially since when you take damage the healing is fairly quick. That’s not to say you don’t have some sway in how you approach the combat, mind you. An experience system lets you unlock abilities from three different skill trees, allowing you to focus more on close-range combat (usually with your shotgun), mid-range (with dual-wielded pistols) or long-range (with a rifle), depending on your personal playing tastes. Experience is gained not just by killing enemies, but doing so in particularly stylish ways: headshots, shooting them while they’re running away, hitting them as they fall, killing them as you’re close to death yourself and the like.

Call of Juarez Gunslinger Meet the legendary outlaws.

The only iffy aspects of the game are the duels, which take place at various points throughout the story when you encounter notable names from history. These odd mini-games have you moving both sticks at the same time as you try to both keep your focus on your enemy and hover your hand over your gun. Your accuracy with both of these determines how quickly you’ll pull your gun out when it comes to the moment of truth, but while it’s an interesting enough idea the execution (no pun intended) is a bit weak. Once the story mode is beaten there’s also an ‘arcade’ mode, which is where the game gets most of its longevity. This consists of 10 separate stages – based on some of the areas from the Story mode – which are stacked full of enemies. The aim is to get the highest score possible by juggling three different elements: staying alive, beating the stage within a certain time and trying to build large combos by continually killing enemies without stopping. It’s somewhat reminiscent of the Mercenaries mode in some of the recent Resident Evil games, although far less tactical. No single part of American history is more intertwined with legend and lore than the post-Civil War west. As more settlers ventured towards the Pacific coast, so too did tales rise of roadside bandits, shantytowns full of outlaws, and bold robberies of mythical riches – making it an amazing period to explore in a game. Call of Juarez: Gunslinger jumps into it guns blazing, weaving an interesting story that rarely takes its exaggerated history or borderline comedic violence seriously. In fact, one of the best things about it is how it readily embraces its main character’s falsehoods and turns them into a part of the gameplay.DEAD MATTER

That, combined with its surprisingly pretty cel-shaded art style, allows Gunslinger to successfully stand out in a crowded genre primarily full of military shooters. When old bounty hunter Silas Greaves stumbles into a saloon and finds some folks willing to listen to long-winded, exceptionally well voice-acted retellings of his exploits spanning decades, we flash back and act out self-aggrandizing versions of his adventures. These stories often include the most infamous actors in these anarchic lands, like Butch Cassidy and Jesse James, and they play out in enjoyable bursts of grueling firefights interrupted by well-made comic book-style panels – and inexcusably long loading times. Then Greaves is called out for a lie by his audience in the bar, and in a clever twist of gameplay, the actual action is affected around you. Enemies appear and disappear mid-story, new avenues through a stage open up as the narration demands, and you even go back to the beginning of certain missions to see how it actually went down. For instance, while exploring a mine Greaves’ narration describes how he passed through an entrance lined with dynamite, so we have to do that too. But it afterward turns out that never actually happened, so we’re returned to the beginning to see how he actually broke in. Greaves is your typical unreliable narrator, and Gunslinger’s clever approach to telling its story keeps the five-to-seven hour campaign fresh and fun, even when it repeats itself with more truthful variations of the same levels. Thankfully, Gunslinger’s action is a lot of fun, and its gunplay is extremely satisfying. Enemy AI – whether we’re talking about fellow outlaws, Indians or other inhabitants of the West – is intelligent and aggressive enough to keep things interesting, but also vacant enough that clipping consecutive foes with well-aimed headshots is fairly simple.

Dispense your own justice.

This is in no way a serious or hardcore shooter; it readily emphasizes its arcadey feel. But there’s also depth to be found in is its addicting leveling system, with XP bonuses that reward headshots, unique kills and general carnage at a constant clip. This experience, in turn, is morphed into points that can then be spent in one of three skill trees that give you specialization bonuses spanning each pistol, shotgun, and rifle in Greaves’ arsenal, an uncommon and welcome addition to a shooter such as this. Regrettably, Gunslinger’s mandatory dueling system is borderline nonsensical and immersion-breaking. The idea is to focus a reticle on an enemy while maneuvering your hand to draw your sidearm quickly. But it seemed to play out randomly each time, with diverging outcomes even when I utilized identical technique, and accidental success feels as unrewarding as unavoidable failure is frustrating. I’d rather face a dozen of the more traditional boss fights, in which a powerful enemy with a health meter and a special weapon or skill comes at you. At least there I could win if I shot well. Call of Juarez: Gunslinger may be a downloadable title with a modest asking price, and it may be a short experience at just a handful of hours, but it packs more entertainment into its humble package than all the other Juarez games combined. Telling the tall tale of Silas Greaves, Gunslinger is a tale of revenge, bounty hunting, and good old fashioned American justice. This latest installment takes inspiration from some unlikely places, one of the strangest being Supergiant Games’ Bastion. The story unfolds from the perspective of a grizzled bounty hunter relating stories from his past in a saloon, and as such.Good Company

He constantly narrates the tale while the player is fighting through levels.  This leads to some cool stylistic events, with the world changing around Silas as he remembers more details, and sometimes the entire level rewinding as it’s revealed players just spent five minutes playing through one of Greaves’ hypothetical tangents. Time often slows as Silas banters with those listening, and the question of whether or not you’re playing through nothing but lies constantly hangs overhead. At times, the narrative interruptions, especially when the gameplay slows down to a crawl, can get a bit exasperating, but those moments where he starts arguing with another character, stops telling the story to go to the bathroom, or straight up invents scenarios that suddenly change the way the game is played, more than make up for it. While the whole “quasi-dynamic narrator” thing has been done as far back as A Bard’s Tale, I have to say Gunslinger‘s done it better than most, adding some genuinely clever and original ideas to the premise. Gameplay is similarly inspired, with shameless nods to Borderlands throughout. It’s not just in the new, cartoon-like graphics. Enemy bosses are introduced in montages ripped straight from Gearbox’s shooter series, while Silas’ three upgradable skill trees and the tone of the violence all appear to be heavily influenced. This influence, however, only works in Gunslinger‘s favor, leading to a game with more energy and soul when compared to the flavorless, creatively barren Cartel.

Become the West’s finest.

Despite all this, there’s a core familiar to Call of Juarez fans. As a Wild West shooter, the guns are limited to pistols, shotguns, and rifles, and the skill trees allow players to boost their prowess with each — becoming either a dual-wielding handgun expert, a long-range marksman, or a close-quarter beast. Players rack up experience points by chaining together kills, going for headshots, shooting moving targets, and performing other such feats, the game providing dynamic on-screen feedback for such kills in a manner similar to Bulletstorm. The effect leads to a more arcade-like experience, albeit one still very rooted in the more precise, less guns-blazing, action of the series. As Silas takes down foes, he fills a Focus meter which can, like previous games, allow him to see enemies more clearly and drop them in bullet time. There’s also a second meter that, when full, gives Silas one last change to avoid a fatal bullet, letting players dodge from left to right when their health is at zero to cheat death and regain HP. As well as helping the player out tremendously, it looks very cool indeed to swerve out of a bullet’s path with Matrix-like grace. Duels naturally make their return, with players having to keep a reticule focused on single targets while keeping their hands near a weapon to increase the chances of shooting first. Players get the option to draw before the enemy is ready, or wait to react to their movements, leading to either a dishonorable or honorable kill. It doesn’t really change things too much, but the honorable path definitely leads to more satisfying duels.

Gunslinger‘s action is remarkably tight, well paced, and polished to a shine. The guns feel great to use, each of them powerful in the right range, but weak in the wrong. Enemies pour out regularly, and each shootout is pleasantly intense, with the kill feedback providing a ton of encouragement to keep the bullets flying. Add to that some really excellent levels, like the brilliant rampage on a train or the bizarre battle against native Americans, and you’ve got a terrific little campaign. The biggest criticism would have to be that, at times, the game can get repetitive, even with such a short campaign length. Limited to pistols and one other weapon — either some form or rifle or shotgun — it grows tiresome to duke it out the same old way every single time, with little weapon variety, or even a need to switch between rifle and shotgun if you’re working on a particular skill tree. The game’s general wit and clever ideas do enough to keep one invested, but indeed combat will be a slog at times. If you’re eager for more when the campaign’s over, there’s a New Game + mode that allows Silas to retain his skills and unlocks in a harder difficulty, as well as a score-attack Arcade mode and a duel rush mode. None of it is content that will keep you coming back forever, but there’s enough to justify the asking price It’s funny that a downloadable title can be so visually superior to any of Call of Juarez‘s retail counterparts, but the new illustrative art style is absolutely lovely.

Characters are bold, environments are colorful, and the comic book stylings of the HUD and on-screen text give it a confident and eye-catching design. The voice acting is decent, with Silas’ narration giving us a crucially affable character to enjoy, while the soundtrack is an easy highlight, with music that captures the Old West feel while being contemporary enough to get one in the mood for some videogame violence. Above all else, however, it’s the polish that really surprises me. Techland is not exactly known for visually pleasant, stable experiences. Its biggest game, Dead Island, is ugly and glitchy, while previous Juarez games have had no shortage of bugs and issues. The Cartel in particular was riddled with visual and audio problems, and yet Gunslinger played smooth, looked beautiful, and didn’t give me any sort of trouble. I was actually shocked to see Techland’s name in the credits, as the difference between this and The Cartel could span the breadth of our galaxy. This is what one could call “AAA” production values, all wrapped up in a little downloadable side-story. From the dust of a gold mine to the dirt of a saloon, Call of Juarez® Gunslinger is a real homage to the Wild West tales. Live the epic and violent journey of a ruthless bounty hunter on the trail of the West’s most notorious outlaws. Blurring the lines between man and myth, this adventure made of memorable encounters unveils the untold truth behind some of the greatest legends of the Old West. Master the art of blasting pistols, shooting rifles and dodging bullets. Unleash lethal combos to gun down multiple enemies in split seconds. Choose the specific gun-fighting skills you want to develop and acquire new shooting abilities to become the West’s finest gunslinger.Half Life 2

Add-ons (DLC): Call Of Juarez Gunslinger