Arizona Sunshine Free Download

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Arizona Sunshine Free Download Unfitgirl I’ve been obsessed with the zombie apocalypse subgenre for a very long time now. I’ve longed to find a game that really immerses you in the apocalypse scenario and shows the power of the genre as a storytelling medium. To this date, Naughty Dog’s The Last of Us is the best zombie game I’ve ever played. It has one of the best stories ever told in a game and survival gameplay mechanics that help immerse you in the apocalypse setting. Luckily, the VR now has a zombie game poster child of its own with Arizona Sunshine via Oculus Quest. In Arizona Sunshine, you play the role of a lone survivor living in a cave in Arizona. One day, he hears a radio broadcast about a potential military safe zone. Throughout the game, you push forward through various locations trying to find the source of the broadcast, killing every zombie you see along the way. When you compare the games together, Arizona Sunshine trumps The Last of Us in a lot of ways. However, in terms of storytelling and character development, The Last of Us is far superior. In this Arizona Sunshine review for the Oculus Quest, we will go over the best things about the game and areas for improvement by comparing it to Naughty Dog’s zombie masterpiece. In a previous article, we talked about how Arizona Sunshine is a great VR game for those who are prone to motion sickness. The game’s use of teleportation locomotion makes it a comfortable game to play for everyone. Within the game, you can point the controller and teleport, but you can also move around in the real world. The multiplayer campaign and Horde Mode add a lot of replay value to the game. You can play with up to 4 players in Horde Mode, adding countless hours of gameplay time and new experiences to enjoy. Unfitgirl.COM SEXY GAMES

The Last of Us did well to mix stealth, combat, and foraging, to create enjoyable gameplay mechanics. However, no zombie game played on a PS4 controller can beat the immersion of Arizona Sunshine in VR. The feeling of aiming down the sights of a pistol and pulling the trigger with your own hand, hearing the blast of the gun in binaural audio, and feeling the kick of the pistol via controller vibration is the most immersive a zombie game can get with today’s hardware. The shooting mechanics are very accurate and I’ve never had trouble with the controller tracking. There is also the option in some areas to use the terrain to your advantage. Instead of shooting every zombie you see, you can run around obstacles to get past them. Other finer details such as opening doors and picking up ammo are smooth and feel realistic as well. The only issue with the Arizona Sunshine gameplay is that it is too linear. However, that problem is more of a symptom caused by the story of the game. While Arizona Sunshine has a lot going for it, the story is the weakest aspect of the game. Unfortunately, it is not even comparable to the epic story of Joel and Ellie in The Last of Us. However, there is definitely potential in the desert apocalypse that Vertigo Games and Jaywalkers Interactive have created. Arizona Sunshine follows an unnamed male protagonist as he pushes through the Arizona desert, dark underground mines, and abandoned settlements, all in hope of finding rescue. One day, the man hears a broadcast on the radio claiming there is solace to be found in one of the last-standing military safe zones. Surely, that sounds like your run-of-the-mill zombie story scenario. However, Arizona Sunshine suffers from the same thing that Fallout 76 suffered from early on: lack of NPCs. Of course an apocalyptic world will have less people in it.

Arizona Sunshine – Resistance.

But whether it be The Road, World War Z, or 28 Days Later, the greatest apocalypse stories are about people, relationships, and human struggle. Arizona Sunshine would benefit greatly from a few non-zombie NPCs thrown into the story. While it is hard to make story-driven games work in VR, games like Star Wars: Vader Story or even Time Stall have proven that NPC interaction is definitely possible in VR. Another area of the game that needs work is the graphics. Don’t get me wrong, I think the image quality is quite good for a game that is running on mobile hardware. However, the quality you get in Arizona Sunshine on Oculus Quest is night and day when compared to the Oculus Rift or other systems. The image quality plays a very strong role in play sessions lasting over an hour. I found myself having to take breaks due to eye strain, rather than motion sickness. However, there is a little bit of hope in this regard. Thanks to a breakthrough in artificial intelligence, we could see a 67% increase in Oculus Quest rendering power. Researchers at Facebook AI may have discovered an AI algorithm that could improve game resolution by predicting what the image would look like at a higher resolution. If there is no Arizona Sunshine graphics update for the Oculus Quest on the horizon, hopefully this AI breakthrough could solve this issue. When zombie hordes run toward you, the music will change to highlight the impending danger. When you are in a pitch-black underground mine, eerie suspenseful tones will make you feel afraid to take another step. At times in the game, I honestly felt like I was living through scenes of AMC’s The Walking Dead.  The simple plot is that the anonymous protagonist is trying to find some other human survivors, slowly making his way to a compound where an automated radio broadcast is claiming there’s an enclave of safety. Sound familiar? A Little Golf Journey

That’s because it is. Deliberately so. It’s carefully designed to inhabit many of the tropes of zombie stories we’ve become used to in recent years.Where Arizona Sunshine excels, and why it continues to be popular and well-regarded years after its release, despite other VR titles having surpassed it in many ways – is in its execution. Not in terms of its disparate elements, but the way it coheres. It’s not a graphical showcase, the plot is simple, and there’s a layer of jankiness to the whole thing which betrays its age. But the gunplay is perfect, the feel is sublime. For all the lack of polish in interactions like opening doors and climbing ladders, the headshots feel just right. Reloading is a button press and a quick pull of the gun towards the belt – not Pavlov-style realism, but just enough interaction to feel immersive. There’s always enough ammo if you carefully scavenge; the zombies are a threat en masse, but individually they’re sorrowful things, and taking them out feels like a matter-of-fact, pragmatic gesture. The overall click and feel of it is crucial; compared to the other zombie shooters on Quest, Death Horizon and Drop Dead: Dual Strike Edition, Arizona has by far a meatier and more convincing shooty-bang. It’s superior to most VR shooters that I’ve played, in fact. The gameplay in Arizona Sunshine serves the straightforward narrative perfectly, and this is backed up by the pivotal central performance by Sky Soleil as the player. This gives the game its identity. The cheery everyman could be just another generic dudebro, but there’s real depth here. He cheerily refers to the zombies as ‘Freds’ and ‘Freddies’, talking to them as if they’re friends as he guns them down. He’s a guy who’s seen a lot by the time we join him in the game, but he isn’t a standard ex-military grunt. As the game goes on, his cheeriness evaporates, and it’s clear that his joviality has been masking clawing loneliness and despair at his situation. The voice work is excellent in a way that belies the simplicity of the narrative and sells the setting more than any number of contrived plot twists or a vapid supporting cast, could have done. Arizona Sunshine is not a good-looking game, even in its original Steam incarnation. It’s quite bland and simple, with some less than stellar texture work – I’m looking at you, wooden doors that look like bacon! This is obviously true of the Quest version, too, with other factors like pop-in of scenery and objects factoring in now.

Real-life weapon handling.

The zombies look OK, with a nice variety of models, but the geometry is sometimes so simplistic it all seems a bit early Playstation 2. The upside of this though is that the game runs smoothly on the Quest, and in fact, the loading times are infinitely better than the PC and PSVR versions too. Online multiplayer is an excellent feature of the game and one which will give the title considerable longevity, above and beyond the roadmap of additional content which is on its way in 2020. The entire campaign can be played co-op with a friend, which works really well as a whole. There are some annoyances. There are a couple of sections where it rubber bands you together in a restrictive way, meaning you can’t entirely have one player sniping overwatch while the other runs among the Freddies. Items crucial to progress are ‘tied to the host’, meaning they can only be picked up or activated by the player hosting the game, which is a bit silly. But it’s great fun otherwise, and quite painless to set up. It’s great fun to play through the campaign with a friend. Where it really shines though is the Horde mode, which can be played single or multiplayer. You know the drill; you have an arena in which you fight waves of Freddies of increasing numbers, and more ammo and weapons spawn in every so often. It’ll test your accuracy and grace under fire, not to mention your friendships if you’re playing co-op. Enormous fun and the two-handed weapon update that has just dropped is superb, adding rifles and machine guns to the game which are a joy to use.Arizona Sunshine is an early achievement for VR which stands the test of time, despite some technical shortcomings and dated visuals. It’s found its natural home on Quest, with a solid conversion that benefits greatly from being cable-free.The Sinking City

It’s maybe a touch expensive, but I’d still recommend it as it’s the most solid and satisfying zombie shooter FPS in VR to date, and unique on the Quest. With quite a bit of content already and more to on the way, there’s certainly enough here to keep you going if you buy into it. Virtual reality meets the zombie apocalypse! Arizona Sunshine® is a first-person shooter built exclusively for VR that immerses you and up to three fellow survivors in a post-apocalyptic southwestern America overrun by zombies. When you hear a flash of a human voice on the radio, your hopes surge – there are survivors out in the blistering heat of the post-apocalyptic Grand Canyon state! Armed with little more than your motion-controlled weapons and the scarce ammo and consumables you find along the way, you need to navigate the hordes of zombies coming for your brain in your desperate search for survivors. Built exclusively for VR, Arizona Sunshine® puts you in the midst of a zombie apocalypse. Survive solo or join forces with fellow survivors, handle weapons with real-life movements, and freely explore a post-apocalyptic world in VR. Putting the undead back to rest is more thrilling than ever before. Using VR motion controllers, handle 25+ weapons with real-life movements. Anticipate attacks, manage ammo and aim down the sights to blast your enemies to undead pieces. Built in bite-sized VR chunks that together form a full narrative, the campaign allows you to jump in for a short session or stay for the complete ride. Move around without restraints to explore a series of huge southwestern American environments, including treacherous canyons and deep, dark mines.

Immersive zombie survival.

Scavenge the environment, loot undead enemies and manage your ammo and consumables in a battle for survival more immersive than ever before thanks to VR. When powered by an Intel® Core™ i7 processor or equivalent, Arizona Sunshine brings unprecedented realism to VR gaming with zombie mutilation, destructible environments, and an overall cinematic and immersive experience.  Arizona Sunshine® is a VR shooter exclusively built for VR. Step into the midst of a zombie apocalypse as if you were really there and take on the undead unlike ever before. this was my very first fully fledged VR game experience. It was a great introduction to the medium in my opinion. What you see is what you get here: mostly you’re walking from place to place and shooting waves of zombies as they charge at you. The gunplay is smooth and the reloading mechanic works well, adding some nice tension in moments of heavy assault when you don’t remember how many bullets are left in your guns. Although the setting is consistent throughout the game’s short 5+ hour campaign, there is some nice variety in the level design, with tight twisty corridors, wide open spaces, verticality, and everything in between. Of special note are the dark interior levels, which require the use of a flashlight, a wonderful effect in virtual reality. Critically, the game has strong pacing, constantly mixing things up between solitary zombie attacks, long moments of quiet exploration, and frantic set piece combats. The writing was a very pleasant surprise. At the very opening of the game, we learn that the protagonist is a jaded and somewhat unbalanced survivor, who knows his way around guns and the undead and has more or less given up hope of healthy human interaction ever again.

Then he hears a radio signal and learns of other survivors, and resolves to find them. His emotional journey from sarcastic detachment to sincere excitement, and through other experiences I won’t spoil, is deeply engaging, and delivered 100% during gameplay through voiceover – no cutscenes. So if you don’t like the story, you can simply ignore it and keep walking and shooting. At the end of the day, this is a VR zombie shoot and it’s not going to change your life, but what it does it does very well. Don’t pay $30 for this – it’s too short to justify this price tag even with the DLC. I bought it from greenmangaming for $10 which it is easily worth. Its a fun experience with friends, but Arizona Sunshine has aged like milk. It suffers from a lot of things that early VR titles had issues with, from weird controls to low comfort to unintuitive progression. Games from this era benefited from the idea that less is more. For example, Superhot VR shows off how simple design and controls can lead to a VR experience that is evergreen, even being moved to Quest and still feeling fun and engaging after already having played through it multiple times. As time goes on newer games get these things right and its sad to try to come back to this game only to feel like there’s no reason to play this over anything else. I’d love to see AZ Sunshine updated/remastered/remade with a couple of these features: Improved weapon interactions. Reloading should be done with both hands and should feel like it has real weight. Improved inventory management. You should be able to interact with what you have on you really easily by either reaching for it on your back or with a menu like HL:A. Doing everything from your waist is really unintuitive. Speaking of which.

With all these changes in mind you’d basically have a whole new game on your hands, but that’s honestly not a bad thing. There’s not really any other good zombie shooter experiences in VR that I can think of, as Pavlov’s zombie mode suffers from many of these issues and something like Boneworks/ Bonelab’s zombie modes are kind of shoehorned in, like those games aren’t specifically built to be zombie experiences, it just so happens they can do that because the engine is so versatile. Walking Dead does a really good job of being a well made zombie VR experience, except that it isn’t a fast-paced–horde focused one, rather its a more close-quarters-stealth type of experience. The one thing that’s still uncertain for me is Vertigo’s other title, After the Fall, which seems to also be a similar horde shooter. I guess I aught to give that one a go, as maybe it addresses some of the issues I have with AZ Sunshine. What is certain is that I don’t recommend this game unless you’re going in with a friend and knowing its going to be clunky. This is not a VR experience representative of how far we’ve come, its a game that instead gives us the stark contrast of where we started. Improved maps, because keeping me in a closet sized map arbitrarily is really annoying. Again, make the enemies more threatening and running away will not be an option for an actual reason. Left 4 Dead 2 does this really well. Of course that game stops you in your tracks but its not a VR game so its not really an issue. Speaking of which. More enemy variety, cuz the same size and shape zombies get pretty repetitive. Let me start with that the game is indeed far from perfect as enough other reviews point out, there are some annoying parts to the game such as the save system, dying, picking up items can be a bit tricky at times and the render distance / anti-aliasing make the game look a bit unpleasant from something like 5-10 metres away from you. I could also not find a way to turn of the comfort vignette while turning and was not immediately able to figure out how to sprint without pushing down the joystick.Nerf Legends

Add-ons (DLC): Arizona Sunshine Wallpaper